Sammy Nestico : Partitions moyen

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this medium-tempo big band classic features piano and tenor sax solos, the sound of bucket-muted brass, and a closing ense...

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this medium-tempo big band classic features piano and tenor sax solos, the sound of bucket-muted brass, and a closing ense...

Feature a trumpet or flugel on this creative arrangement of a timeless standard. Written in a ballad style, this chart also features nice ensemble scoring and a brief very easy section in 3/4. This te...

This beautiful ballad features flugelhorn and was recorded by the SWR Big Band on the CD Fun Time. The rhythm is in a bossa nova style with some beautiful ensemble orchestration and interesting chord...

Originally written for and played by Bud Shank, this showpiece for alto sax features a wide dynamic range and calls for a soft, smooth approach to background figures. Though written solo lines are pro...

This beautiful flugelhorn solo was featured on the Sammy Nestico Orchestra CD Night Flight. As that recorded performance by Guido Basso illustrates, this chart allows ample room for a creative soloist...

This beautiful flugelhorn solo was featured on the Sammy Sammy Nestico Orchestra CD Night Flight. As that recorded performance by Guido Basso illustrates, this chart allows ample room for a creative s...

Recorded by Count Basie on the album Have A Nice Day (Daybreak Records), this expressive ballad is a study in subtle ensemble textures and colors, with muted brass, delicate piano fills, and a directe...

Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can st...

Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can st...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Nestico says that all real '...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Sammy Nestico says that all...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are pretty, they should...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are "pretty," they shou...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

Recorded by Count Basie & His Orchestra in the late 1960's, this classic blues for developing ensembles features written or ad lib solos for trombone and drums. Midway through, shortly after the tromb...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

Originally recorded by Count Basie, then re-recorded in 2005 by the SWR Big Band CD Basie-cally Sammy, this medium tempo chart featuring a small combo within the jazz ensemble has an unconventional ch...

This tune has a comfortable tempo, easy ranges, well-balanced ensemble chorus and a very handsome harmonic structure. All parts are interesting and contribute to the whole picture. Trumpet, alto sax a...

Cette version simplifiée du swing classique enregistré par l'orchestre de Count Basie s'ouvre sur un solo de piano de 12 mesures soutenu par la guitare, la basse et la batterie avant que les entrées d...

Originally recorded in 1975 by Count Basie and titled because Basie loved to eat orange sherbert, this fresh setting features easy registers, strong jazz figures, and a bright, free-swinging style. A...