Réductions pour piano

Das Concerto bereichert die barocke Unterrichtsliteratur für Violine und kann sowohl als Vorstufe wie auch als abwechslungsreiche Alternative zu den Vivaldi-Konzerten gespielt werden. Da es sehr leich...

Written by Tartini as a young man, this concerto offers the soloist rewarding opportunities to dazzle. In the initial Allegro, polyphonic writing alternates with virtuouso sections full of runs and do...

From Tartini's third compositional period, this concerto in three movements has been prepared using the primary source of Tartini's autograph.

An 'operatic' concerto full of drama. Wonderfully violinistic throughout and a delight to play for intermediate and virtuoso alike. The vivid ritornellos and extrovert solo episodes makes this a highl...

A wonderful concerto in the galant manner.

Over the beautiful second movement Tartini wrote I know you have no mercy using his secret code. With the outer movements this concerto is a first class representative of the 18th century concerto. Ca...

Prepared from all four known sources, this concerto from Tartini's first compositional period emerges as a masterpiece.

It is one of numerous concertos by Vivaldi known to have been played by Anna Maria, the most celebrated of the many remarkable performers produced by the Ospedale della Pietà, the Venetian charitable...

A solemn introductory Grave where the solo violin occasionally breaks out from the repeated chords with short cantabile sections, is followed by a fluent Allegro with difficult sounding passage work,...

Klavierauszug mit Solostimme

For Violin Solo, Piano. First performance: Ida Kavafian, violin, and Menahem Pressler, piano, at the LIbrary of Congress, March 6, 1996. Solo part with piano reduction. Composed 1993. 7 pages. Duratio...

Le Concerto pour violon, op. 70 de Ludomir Różycki a été écrit à une époque difficile et son histoire est entourée de mystère. En tant qu'interprète de cette œuvre chargé de préparer la partie de viol...

Enfant, Karl Ditters von Dittersdorf (1739-1799) attirait déjà l'attention sur ses dons musicaux. A l'âge de sept ans, il commençait le violon et, trois ans plus tard, il était déjà engagé à Vienne et...