Paul Weston Partitions pour big band

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow 'bolero' style, this outstanding change of pace number features an alto sax soloist a...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow 'bolero' style, this outstanding change of pace number features an alto sax soloist a...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Voici une version vocale de Best Things In Life Are Free interprétée par Jo Stafford et soutenue par l'orchestre de Paul Weston. Le morceau s'ouvre sur un couplet vocal percutant, puis sur un chœur vo...

Let Yourself Go est une transcription du morceau original de Paul Weston, tel qu'il a été enregistré sur l'album "Irving Berlin Songbook" d'Ella. Le rythme est un swing détendu à 160 battements par mi...

Top Hat" est une transcription de la partition originale de Paul Weston, telle qu'enregistrée sur l'album "Irving Berlin Songbook" d'Ella, et c'est une partition vraiment cool et swinguante. Nous avon...