Partitions téléchargeables de Schott : Flexibilité pour votre musique

Three Essays beschreibt unterschiedliche Charakteristika von Pinselstrichen der Kalligraphie als musikalische Linien. Die drei Essays beschreiben eine glatte, gedehnte Linie, eine gepunktete Linie und...

J'ai composé Knots [Musubi] pour célébrer le 80e anniversaire de Heinz Holliger, pour qui j'ai le plus grand respect. Le titre s'inspire du principe du Yin et du Yang, concept central de la création d...

This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...

In the concerto of the French composer, also a famous flautist, classical cheerfulness and elegant virtuosity are combined with each other.

Dieses, sein erstes Violinkonzert schrieb Mozart, wie aus der Widmung ersichtlich ist, im Frühjahr 1766 während eines mehrwöchigen Aufenthaltes am französischen Hof, als er auf der Rückreise von Engla...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.

Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as directo...

The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe

This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.