Partitions pour violoncelle solo

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and...

Schott présente ici en première publication les pièces que Hans Werner Henze a écrites en l'honneur d'anniversaires ou en hommage à des amis et compagnons de route. Chacune d'elles est un véritable jo...

When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...

Après la 'Jazz Suite' pour violoncelle seul (Schott, CB 224), le violoncelliste et musicien de jazz italien Lucio Amanti explore, avec cette sonate avec accompagnement de piano, les possibilités de la...

Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...

Discover the boundless expressive power and tonal fascination of the cello in its purest form with "Violoncello totale – per violoncello solo". Published by the renowned house of Schott Musik, this fi...

Violoncello totale – the title says it all: This captivating work for solo cello masterfully unlocks the full sonic and emotional spectrum of the instrument. From deeply expressive, lyrical cantilenas...

En 1796, Beethoven fit un voyage à Prague où il rencontra la comtesse Joséphine de Clary-Aldringen (plus tard comtesse Clamm-Gallas) qui jouait de la mandoline. Pour elle, il écrivit quelques œuvres p...

En 1796, Beethoven fit un voyage à Prague où il rencontra la comtesse Joséphine de Clary-Aldringen (plus tard comtesse Clamm-Gallas) qui jouait de la mandoline. Pour elle, il écrivit quelques œuvres p...

En 1796, Beethoven fit un voyage à Prague où il rencontra la comtesse Joséphine de Clary-Aldringen (plus tard comtesse Clamm-Gallas) qui jouait de la mandoline. Pour elle, il écrivit quelques œuvres p...

For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...

Discover timeless elegance and sonic brilliance with the "Sonata in A major G 4" for cello and piano, published by the renowned Schott Musik. This enchanting work captivates through its melodic grace,...

Il y a des compositeurs dont on ne sait rien ou peu, qui ne sont connus que pour leurs œuvres ou même une seule œuvre. Luigi Carvelli est l'un d'entre eux : il a vécu dans la deuxième moitié du XIXe s...

This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has adde...

De nombreuses œuvres du musicien italien Giovanni Battista Cirri (1724-1808) de Forlì furent publiées de son vivant. Ce virtuose du violoncelle - très actif - écrivit naturellement surtout pour 'son'...

De nombreuses œuvres du musicien italien Giovanni Battista Cirri (1724-1808) de Forlì furent publiées de son vivant. Ce virtuose du violoncelle - très actif - écrivit naturellement surtout pour 'son'...

A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...

Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...