Partitions pour flûte solo

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra, which later became English National Opera. His fondness for good tunes, w...

This collection of songs were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish Melodies. The...

Best known for orchestraing the works of his friend, Claude Debussy, Andre Caplet was a fine composer in his own right. Though he composed predominantly for voice, he has several instrumental composit...

This solo for flute and piano is dedicated to Paul Taffanel and was a Paris National Conservatory contest piece .

This is surely one of the most performed Telemann works. It has become a staple in the flute performance repertoire.

This solo for flute and piano reduction is the 1st movement of a larger three movement work entitled 'Scenes Ecossaises (Scotch Scenes)', Op. 138, originally written by Benjamin Godard (1849-1895) for...

Written in 1933, Heiden's 'Five Short Pieces' include the following tempo indications: I. Lento, II. Vivace, III. Andantino, IV. Comodo, V. Molto Moderato

This piece for flute and one percussionist is a theme followed by a set of six variations. Required percussion: 4 tom-toms (includes one snare drum), bass drum, suspended cymbal, wood block, triangle,...

This latin jazz infused solo for flute with piano accompaniment includes florid solo lines that may be played as written or improvised. This edition includes optional parts for guitar, bass, and drum...

Erato is a flowing, one movement quasi recitative. It is an ideal recital choice for contemporary music programs.

Honorable mention in the Pittsburgh Flute Club Composition Contest. Dedicated to Bernard Goldberg.

This solo for flute and piano is an arrangement of the Paul Taffanel's original Fantaisie on 'Der Freischutz' by Carl Maria von Weber.

This lyrical piece is in 9/8, and serves as a wonderful recital or contest selection. The accompaniment can be played on organ or piano.

This beautiful introduction and six variations is based on an original melody by Giovanni Paisiello (1740 - 1816) from his 1788 opera 'L'amor contrastato, ossia La molinara.'

This sound poem for the advancing flutist offers players an opportunity to play expressively music that is both atonal and technically challenging, while remaining engaging to the audience. It is an i...

as your bride, you must indeed dedicate something further to me, and I know of nothing more tender than these 3 Romances, in particular the middle one, which is the most beautiful love duet.' Despite...