Partitions pour flûte solo

Following in the style of his first popular collection of hymn treatments, Joel Martinson gives us six familiar hymns for congregational singing. Included are introductions, optional descants and, of...

David Lasky's new collection will fill the need for music for Epiphany (the period directly following Christmas). He has arranged three familiar hymn tunes, 'Quem Pastores,' 'We Three Kings' and 'Dix,...

Richard Lane a composé la plupart de ses quelque 500 œuvres pour son cercle d'amis musiciens et chaque pièce reflète l'affection et l'admiration qu'il éprouvait pour chacun d'entre eux. Cette petite s...

A collection of 33 classical works by famous composers, compiled and arranged by Hugh M. Stuart for Flute and Piano. Suitable for grades 2-3 standard.

C. Paul Herfurth and Hugh M. Stuart. The complete instruction tutor for the flute. Takes you through the basic techniques and allows you to progress to an advanced stage of playing.

Book Two reviews the work covered in Book One and further develops playing techniques.

Up-to-date selections to complement the famous A Tune A Day tutors. Includes 'Neighbours' and 'Eight Days A Week', Melody line with chord symbols.

C. Paul Herfurth's classic series of tutor books have now been completely revised and updated with a host of innovations to suit a new generation of musicians. A New Tune A Day features the same logic...

The DVD edition of this hugely popular series of tutors gets you even closer to your instrument with a set of real music lessons right there on your screen! A New Tune A Day features the same logical,...

New Tune A Day Book 2 features the same logical, gentle pace and keen attention to detail that made earlier editions so hugely popular and successful! Easy-to-follow lessons and clear photographs and...

Since it first appeared in the 1930's, the concise, clear content of the best-selling A Tune A Day series has revolutionised music-making in the classroom and the home. The A New Tune A Day books hav...

Roussel komponierte die Stücke als Elogen auf vier große französische Flötisten der Zeit. Der Komponist verehrte das Instrument zu Lebzeiten sehr.