Partitions pour chœur a cappella

From the cantata King Olaf, with words by Longfellow. Adapted for two-part choir from the composer's SSA arrangement.

A celebratory song herlding the approaching summer, based upon a text by S. Longfellow and written for the upper voices with Piano accompaniment.

The second of Two Ballads by Arthur Bliss - Flowers In The Valley was commissioned by the Isle Of Man Arts Council for the school children of the island. This accessible and enchanting setting of a te...

Adapted from an old Fench song by Robert Elkin, using words by Georgina Tanner. For unison voices and piano accompaniment.

Using words by H. Whitehall. For piano and unison voice.

For SA voices and piano, using text by James Joyce.

A lively piece for unison voices and piano. Words and music by Peter Jenkyns.

A bright work for unison choirs (especially suited to school choirs) by Arthur Baynon, with words by E. V. Knox.

A unison song by C. Armstrong Gibbs using words from Shakespeare.

For Unison Voices and Piano. Text: Michael Franklin.

For Unison voices and Organ accompaniment.

A song for unison voices and piano accompaniment, using words from an old rhyme.

For Unison Voices

For Upper voices (SA chorus) and Piano, using words by Christina Rossetti.

Three humorous songs for unison voices or solo baritone.

Words Chiefly by Edward Lear

Dressed In Blue for Soprano, SA voices and Piano by Patrick Hawes.

We Remember Them is an arrangement of the central section of the three movement work, Triptych, which itself represents the concatenation of two commissions.