Partitions pour chant : soprano et ténor

No. 3 from: 6 songs based on poems by Clemens Brentano op.69

Barbara Strozzi war zur Mitte des 17. Jahrhunderts in Italien eine der wichtigsten und profiliertesten Komponistinnen der weltlichen Vokalmusik. Diese Kantate aus dem letzten von ihr veröffentlichten...

14 Arien aus op. 2, published by the renowned Furore Verlag, opens up a fascinating sound world full of emotional depth and intense expressive power. The collection brings together serious, touching s...

Experience Franz Schubert's world-famous song cycle "Die schöne Müllerin" Op. 25 (D 795) in a particularly intimate and sonorous arrangement for high voice (original key) and guitar. Setting Wilhelm M...

La série Arias for Young Voices pour ténor contient 10 airs sacrés et 20 airs d'opéra. Le tout pour la formation vocale entre 16 et 26 ans environ. Les arias ont une portée impressionnante d'environ 3...

A collection of 23 songs by Peter Warlock in an up-to-date edition by Michael Pilkington, published in association with the Peter Warlock Society. An 84 page book with photographs and extensive notes...

Seven Songs for High Voice & Piano with words by W.H.Davies and music by Clive Pollard.Sweet Chance (Range D-F#)April's Charms (G-F)A Young Thrush (F-D)Pot and Kettle (D#-E)Wild Blossoms (E-F)The Cuck...

An impressive tutor aiding the singer to develop a dexterous technique with accurate intonation over the course of scales and embellishments, through a course of progressive exercises and studies.

For High Voice and Piano, setting the text of Henry Vaughan.

From the Comedy-Opera 'The Firefly' by Rudolf Friml. Words by Otto A. Harbach. Version for High Voice and Piano in E major.

A setting of text from St. Matthew's Gospel. Version for High Voice and Piano (or Organ), in the key of E Flat.

Version for High Voice and Piano in C Sharp Minor.

The Lord's Prayer, scored for High Voice in Eb and Organ.

Version for High Voice, in the key of G. Text from St. Matthew's Gospel Chapter Five.

This setting of Psalm 23 (The Lord is my Shepherd) for solo voice is far more musically and technically demanding than the well-known choral settings, yet it retains the same sense of tranquility.

A setting of the poem written by Daniel Twohig. Arranged for soprano and tenor by Kenneth Downing.

Duet for Two Sopranos (Or Soprano and Mezzo-Soprano) and Piano. From John Corigliano's stunning opera, The Ghost of Versailles, with a libretto by William M. Hoffman.

Gabriel Fauré - Vingt Mélodies pour soprano et piano, 2e volume