Partitions pour Saxophone alto chez Kendor Music

Ludwig van Beethoven wrote Bagatelle No. 25 in A Minor, subtitled Für Elise, in 1810. Featuring the warm, expressive lines we've come to know and love, this theme lies exceedingly well on the instrume...

Ludwig van Beethoven wrote Bagatelle No. 25 in A Minor, subtitled Für Elise, in 1810. Featuring the warm, expressive lines we've come to know and love, this theme lies exceedingly well on the instrume...

Giuseppe Verdi's famous aria from Rigoletto is now available for young woodwind soloists and makes an excellent choice for contest literature. Providing essential exposure to articulation and dynamic...

With a total duration time of 9:20, this contest bestseller features three contrasting movements: I. a spirited Allegro in cut timeII. a beautiful Larghetto in 3/4and III. a lively Menuetto in 3/4 tim...

The Rondo movement from Ludwig van Beethoven's Pathetique Sonata (No. 8, Op. 13) is one of the most beautiful and exciting pieces of all time. This grade 4+ edition, expertly arranged by Gregory Yasin...

This grade 4 original is an ideal selection for contest or recital performances. Its expressive, lyrical and faster moving sections explore fluid legato and extended chord arpeggios. The brief cadenza...

This suite of three famous arias from Puccini operas is the perfect addition to our catalog of instrumental solo literature for grade 3 performers.

This suite of three famous arias from Puccini operas is the perfect addition to our catalog of instrumental solo literature for grade 3 performers.

Soloists will love this setting of Georges Bizet's fiery prelude from Carmen. Perfect as an encore, it's guaranteed to thrill audiences of all ages everywhere!

Starting and ending with a slow, bluesy theme, the middle portion of this piece is a bright jazz waltz featuring an optional ad lib section (written lines also provided) for soloists with some improvi...

Imaginez des scènes de bateaux en mer avec ce solo animé de Larry Clark, qui comporte une mélodie en mineur que les élèves vont adorer ! Permet aux jeunes musiciens d'explorer une signature temporelle...

Inspiré par la nature, ce solo original de Tyler Arcari offre aux élèves un regard réfléchi sur la signature temporelle ¾. Bien que le tempo reste relativement constant tout au long de l'œuvre, une pu...

Initiez vos élèves au célèbre poème sonore de Camille Saint-Saëns d'une manière amusante et accessible avec cet arrangement de Tyler Arcari. Avec un tempo de plus de 166, cette valse est un merveilleu...

Ce solo sincère de Larry Clark est à la fois un beau morceau de musique d'interprétation et un outil d'enseignement très efficace. Les élèves peuvent peaufiner et mettre en valeur une belle sonorité d...

Larry Clark présente un arrangement mélodieux de la Chanson italienne de Tchaïkovski, tirée de l'opus 30 no 15. Cette charmante mélodie classique offre aux élèves un certain nombre de possibilités d'a...

Based on a melody by James Stoltie, this slow, lyrical work includes an extended cadenza that can be played as written or freely improvised.

In this regal processional for young soloists, the crisp articulations of the main theme and the expressive lines of two short interludes gives this piece great overall appeal.

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.

Issued in conjunction with the quartet from which it was derived, this solo-with-piano edition will be as popular with players as it is with audiences. Seductively playful is an apt description, and t...

Instrumentation: Alto Saxophone Solo with Piano Accompaniment

Cette aire du XVIIIe siècle, courte (2:00) et d'un rythme modéré, est idéale pour les étudiants qui se présentent pour la première fois à un concours.

The inspiration for this impressionistic work came when Lennie decided to take time off from composing and spent a day at the ocean near Santa Barbara. As he watched waves washing ashore, the sun spar...

The inspiration for this impressionistic work came when Lennie decided to take time off from composing and spent a day at the ocean near Santa Barbara. As he watched waves washing ashore, the sun spar...

Written in ABA form using traditional harmonies and rhythms, this is a satisfying number for young instrumentalists.