Partitions pour Piano et Voix : Tous styles et registres

Scored for high voice and piano, Wilberg's arrangement of this familiar traditional melody is gentle and lilting, supported by rich harmonies and a mellifluous piano part. Also available in a version...

Scored for solo high voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...

This secular work for solo high voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal...

This is an attractive carol to a traditional Scottish text and with a gentle 'folk-y' feel. The flowing melody features flattened sevenths and delicate Scotch snaps, with each verse ending with a lull...

In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich harmonic shading, to create a p...

This is a setting of the words used to conclude a communion service: 'The Mass is ended, thanks be to God.' The tenor's heraldic opening leads into the highly rhythmic 'Deo Gratias' section. Ideal for...

A work filled with ambition, Circlesong is a musical portrayal of the human life cycle as captured in the indigenous poetry of North America. The thirteen movements mark the different stages of life,...

Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...

This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. The text was co-written by the composer and the vocal percussionist...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex section with fluctuating time signatures and shifting tonalities. Ideal for advanced choirs in a sacre...

Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depict...

An expressive carol with text altered from the poem Three Kings came a-riding by the famous 19th century poet Henry Wadsworth Longfellow. Offprinted from the Christmas cantata A Light in the Stable.

Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. Offprinted from Carols for Choirs 6.

The text Lauda Sion, written by St Thomas Aquinas, is the sequence for the Feast of Corpus Christi. Monteverdi set stanzas one, two, and twenty-three of the sequence, which contains twenty-four verses...

Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...

This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano soloist,...

Funérailles is probably best thought of as an extended study in piano sonorities, at times deep, dark, and resonant, at others vivid and bright.

This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The bass and drum parts may be played as written or used as a guide from which the player may imp...

This celebratory anthem for double choir is set to the words of the Roman lyric poet Horace. Jackson combines declamatory unison passages for full choir with more lyrical polyphonic phrases shared bet...

This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The work has two accompaniment options: piano (using the v...

The piece sets extracts from the philosopher Ludwig Wittgenstein's Tractatus Logico-Philosophicus, and is made up of six choral movements, including a substantial solo role for countertenor. Between t...

This is a setting of a powerful text by Kevin Crossley-Holland about the cruelty of child abuse being overcome by love and kindness.

James Whitbourn has a worldwide reputation for writing very personal yet accessible and highly communicative choral music, and these qualities are amply on display in this striking work for Soprano so...

In this setting, which includes salient fragments for St Luke's gospel (in Greek), alongside the customary text from the Book of Common Prayer, Finnissy renders this excitement, joy, awe, and trepidat...

John Sheppard's Verbum caro factum est is perhaps the most magnificent of his Responds, as befits its Christmas context. The music alternates between polyphony and plainchant, and the text is one that...