Partitions pour Piano et Voix : Tous styles et registres
Based on poetry by Elizabeth Barrett Browning, Sonnets from the Portugese explores the finding of a mature love by a woman who wonders what part of her must she sacrifice to the lover and to the world...
Based on poetry by Elizabeth Barrett Browning, Sonnets from the Portugese explores the finding of a mature love by a woman who wonders what part of her must she sacrifice to the lover and to the world...
- Voix élevées et Piano
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- Oxford University Press
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A song cycle for soprano and piano drawn from Brenda Ueland's 1938 autobiography. Although Ueland's life was nothing out of the ordinary, the philosophy of her writing is to find the joy in everyday e...
A song cycle for soprano and piano drawn from Brenda Ueland's 1938 autobiography. Although Ueland's life was nothing out of the ordinary, the philosophy of her writing is to find the joy in everyday e...
- Voix élevées et Piano
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- Oxford University Press
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Margaret Songs are a collection of three songs of Margaret Elliot, a character in Libby Larsen's chamber opera, Eric Hermannson's Soul, based on a short story of Willa Cather. It charts one woman's em...
Margaret Songs are a collection of three songs of Margaret Elliot, a character in Libby Larsen's chamber opera, Eric Hermannson's Soul, based on a short story of Willa Cather. It charts one woman's em...
- Voix élevées et Piano
- Partition piano à télécharger
- Oxford University Press
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Larsen's song cycle is based on the novel by the American writer, Willa Cather, and the songs recount Jim Burden's memories of Ántonia Shimerda during their shared experiences of the pioneering period...
Larsen's song cycle is based on the novel by the American writer, Willa Cather, and the songs recount Jim Burden's memories of Ántonia Shimerda during their shared experiences of the pioneering period...
- Voix élevées et Piano
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- Oxford University Press
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With specially written poems by Karlis Verdins based on the Adonis chapters from Frazer's The Golden Bough, each song in this little cycle explores a single Affekt.
With specially written poems by Karlis Verdins based on the Adonis chapters from Frazer's The Golden Bough, each song in this little cycle explores a single Affekt.
- Voix élevées et Piano
- Partition
- Oxford University Press
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Four Shakespeare Songs sets texts exploring different aspects of love. Using passages from various Shakespeare plays, McDowall's writing is beautiful and clever in how it reflects the moods and emotio...
Four Shakespeare Songs sets texts exploring different aspects of love. Using passages from various Shakespeare plays, McDowall's writing is beautiful and clever in how it reflects the moods and emotio...
- Voix élevées et Piano
- Réduction piano
- Oxford University Press
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Try me, good King is a group of five songs drawn from the final letters and gallows speeches of the six wives of King Henry VIII. The cycle is a psychologically intense monodrama that presents technic...
Try me, good King is a group of five songs drawn from the final letters and gallows speeches of the six wives of King Henry VIII. The cycle is a psychologically intense monodrama that presents technic...
- Voix élevées et Piano
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- Libby Larsen
- Oxford University Press
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With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.
With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.
- Voix élevées et Piano
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- Oxford University Press
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Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...
Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...
- Voix élevées et Piano
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- Oxford University Press
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This popular traditional French carol tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the baby Jesus in the stable.
This popular traditional French carol tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the baby Jesus in the stable.
- Voix élevées et Piano
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- Oxford University Press
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This charming traditional Catalan carol is full of natural imagery exploring the return of spring. With both English and Catalan text, Wilberg's arrangement is scored for high voice and piano, capture...
This charming traditional Catalan carol is full of natural imagery exploring the return of spring. With both English and Catalan text, Wilberg's arrangement is scored for high voice and piano, capture...
- Voix élevées et Piano
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- Oxford University Press
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Scored for high voice and piano, Wilberg's arrangement of this traditional Basque carol is gentle yet charming, with expressive suspsensions in the supportive piano accompaniment. Also available in a...
Scored for high voice and piano, Wilberg's arrangement of this traditional Basque carol is gentle yet charming, with expressive suspsensions in the supportive piano accompaniment. Also available in a...
- Voix élevées et Piano
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- Oxford University Press
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Scored for solo high voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...
Scored for solo high voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...
- Voix élevées et Piano
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- Oxford University Press
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This is an attractive carol to a traditional Scottish text and with a gentle 'folk-y' feel. The flowing melody features flattened sevenths and delicate Scotch snaps, with each verse ending with a lull...
This is an attractive carol to a traditional Scottish text and with a gentle 'folk-y' feel. The flowing melody features flattened sevenths and delicate Scotch snaps, with each verse ending with a lull...
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- Oxford University Press
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In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich harmonic shading, to create a p...
In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich harmonic shading, to create a p...
- Voix élevées et Piano
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- Oxford University Press
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This is a setting of the words used to conclude a communion service: 'The Mass is ended, thanks be to God.' The tenor's heraldic opening leads into the highly rhythmic 'Deo Gratias' section. Ideal for...
This is a setting of the words used to conclude a communion service: 'The Mass is ended, thanks be to God.' The tenor's heraldic opening leads into the highly rhythmic 'Deo Gratias' section. Ideal for...
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- Oxford University Press
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A work filled with ambition, Circlesong is a musical portrayal of the human life cycle as captured in the indigenous poetry of North America. The thirteen movements mark the different stages of life,...
A work filled with ambition, Circlesong is a musical portrayal of the human life cycle as captured in the indigenous poetry of North America. The thirteen movements mark the different stages of life,...
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- Oxford University Press
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Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...
Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...
- Voix élevées et Piano
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- Oxford University Press
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This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. The text was co-written by the composer and the vocal percussionist...
This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. The text was co-written by the composer and the vocal percussionist...
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- Oxford University Press
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One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex section with fluctuating time signatures and shifting tonalities. Ideal for advanced choirs in a sacre...
One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex section with fluctuating time signatures and shifting tonalities. Ideal for advanced choirs in a sacre...
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- Oxford University Press
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Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depict...
Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A vast array of sentiments is depict...
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An expressive carol with text altered from the poem Three Kings came a-riding by the famous 19th century poet Henry Wadsworth Longfellow. Offprinted from the Christmas cantata A Light in the Stable.
An expressive carol with text altered from the poem Three Kings came a-riding by the famous 19th century poet Henry Wadsworth Longfellow. Offprinted from the Christmas cantata A Light in the Stable.
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- Oxford University Press
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Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. Offprinted from Carols for Choirs 6.
Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. Offprinted from Carols for Choirs 6.
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- Oxford University Press
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Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...
Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...
- Voix élevées et Piano
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- Oxford University Press
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This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano soloist,...
This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano soloist,...
- Voix élevées et Piano
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- Oxford University Press
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