Partitions pour Chœur mixte (SATB)

A tender and charming setting of this medieval German carol, with German and English texts. A subtle use of contrasting vocal textures and imitative or canonic writing gives variety to each verse.

A setting of typically deceptive simplicity: understated but poignant harmonies allow the colourful imagery of Flecker's poem (The Golden Journey to Samarkand) to make its full impact on the listener'...

For SATB choir, optional congregation, and piano or organ. The haunting melody, the versatile accompaniment, the atmospheric yet simple choral writing, and the optional congregational involvement all...

This easy and accessible anthem sets a colourful text by St Francis of Assisi praising all God's works. Full of lively rhythms and vivid word-painting, this piece is great fun to sing.

A short anthem for SATB and organ, with some solo soprano passages. With an evocative but little-known text by Richard Crashaw, this is a lovely, gentle anthem suitable for many occasions. The music o...

This confident and majestic anthem for Palm Sunday is a fine piece, perfectly judged and enjoyable to sing. Ives cleverly contrasts the apparent pomp and majesty of Christ's arrival with the ignominy...

This is a jubilant, richly-textured anthem. Accessible and uplifting, the piece is embroidered throughout with references to Vaughan Williams's revered hymn tune 'Sine Nomine'; this eventually emerges...

for SATB and organ

for SATB and organ

for SATB and organ

for SATB and organ

for SATB and organ

This Mass setting for unison voices and organ, with optional second part or SATB is accessible and tuneful and suitable for all Anglican churches. The text is in accord with the new Common Worship and...

Transposed to A minor

For SATB and organ. Richard of Wyche, born about 1197, was a man of strong character and kind disposition. He was celebrated for improving the standards of the clergy and the way the sacraments were c...

For a commission by the Memorial Church at Harvard University, Niedmann uses a text by Damian Lundy which envisions Mary from different aspects relating to her motherhood of Jesus. Niedmann opens the...