Partitions pour Chœur mixte (SATB)

Kihlken's arrangement of Cross of Jesus, from Stainer's The Crucifixion, is a Lenten meditation on the cross and its place in the Christian faith. The music is majestically sorrowful, and should not r...

A solid affirmation of faith is Kihlken's new arrangement of an 18th century melody by Hatton, Duke Street, with text by Samuel Medley. Beginning in unison, the choral voices become increasingly expan...

A short fanfare, suitable for any worship service. The organ part makes great use of the trumpet stops, and the straightforward choral arrangement will require few rehearsals.

Kihlken sets text by John Mason Neale to a pleasing German air to create his new general Christmas anthem. The descant part, sung by your best soprano, adds a third dimension.

Coronet Press has released a new arrangement of the classic Christmas carol While Shepherds Watched Their Flocks, for SATB chorus. Quoting the Winchester Old and Christmas tunes, Music has made this w...

Christmas Star opens with an excerpt from the carol "We Three Kings," and moves into an anthem devoted to the proclamation of Jesus as the Christmas Star. Beginning a cappella and exploring a gorgeous...

Written in the nineteenth century, the words of Henry Ramsden Bramley lend themselves nicely to Tom Fettke's new anthem for Christmas services. The piece is written as such to feature the words of the...

Here is a fresh new anthem for Christmas services from Ken Dosso, accented by contemporary rhythm patterns and a shared first stanza between male and female voices. Though unconventional, the rhythms...

Craig Cassils has written an anthem that invites us to spend the time of Advent preparing our lives for the Christ Child. Opening with a unison statement of the melody, the anthem moves to a lovely fo...

Opening with the traditional chant of "O Come O Come Emmanuel" this anthem quickly moves to a rhythmic, driving arrangement of the tune "Veni Emmanuel." The vibrancy of the rhythm patterns in the acco...

The beauty of unison female voices is heard in the first stanza of this engaging melody by Herb Frombach. Alluding to "Angels We Have Heard on High" in the accompaniment, a fragment of the hymn tune i...

Setting the tone for the entire work from the get-go, the men forcefully proclaim, "Open the gates!" much like the prophet Isaiah. The unison male voicing quickly moves to an effective, but easily sun...