Partitions pour Chœur mixte (SATB)

A cappella arrangement for SATB secondary chorus with soprano solo

An original spiritual written for a cappella SATB and baritone solo, written for age high school and up, requires great levels of energy to be done well.

Another fine work by Kenney Potter, here is an a cappella Christmas piece written for mixed voices (divisi.) age high school and up.

This stunning anthem for Lent by David Lantz III and lyricist John Parker III includes a mid-range soprano solo accompanied by piano.

This familiar traditional spiritual is popular with audiences everywhere. Lee Dcott has set the work for a cappella chorus with full divisi.

Here, David Moore sets this popular traditional French carol for mixed voices a cappella, works well for small or large advanced choirs.

Former director of Chanticleer, Joseph Jennings, has arranged this spiritual for a cappella divisi voices. The traditional spiritual tune, also known as Hold On, was adopted for use by the Civil Right...

The ever-popular Go Tell It On The Mountain is set here for unaccompanied mixed chorus, optional soprano or tenor solo, with percussion, a real winner for this year's holiday concert!

This unaccompanied work is for mixed voices divisi a cappella. This traditional African-American spiritual makes reference to the book of Jeremiah where the 'balm of Gilead' heals the spiritual wounds...

This spiritual is quite unique - unaccompanied mixed chorus with baritone solo along with auxiliary percussion of heavy chains and bass drums, two pitches. The work could play a pivotal role in a grou...

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch, with selah as the keystone. Each piece repre...

This is an amazing arrangement of the traditional African-American spiritual. Unique to the setting is the almost 'New Orleans' twist to the style (bending of pitch and stylized rhythm). It is an adva...

This arrangement of a well-known gospel tune is given a fresh setting for soprano solo and mixed chorus a cappella. It works well in either a worship or concert setting.

Canadian composer Eleanor Daly is widely known in America and represented by a number of publishing houses. As is always the case, her works are well-crafted, elegant, and true to the text. This is no...

A traditional English carol, joys seven is arranged here with lilting multi-meter. The piece calls for mixed chorus divisi a cappella with numerous solo opportunities. Great for concert or worship!

Philippine composer Alejandro Consolacion gives us this beautiful setting of Our Father set for unaccompanied mixed chorus (divisi) and two solo treble voices. The harmonic language is rich, lush, and...

A real showpiece for the advanced choir! Transcribed for SATB a cappella, with an ornamental solo soprano descant.

From the usic Of Black Americans Series'This is a strong, expressive piece for worship or concert setting. Contains the Ave Maria in Latin and another prayer in English (not a translation).

From the usic Of Black Americans Series'This is a strong, expressive piece for worship or concert setting. Contains the Ave Maria in Latin and another prayer in English (not a translation).

A fairly advanced setting for three SATB choirs that is good for concert or worship situations.

Soon One Mornin' Death Comes Creepin' by Gail Kubik. Scored for SATB choir a cappella with Baritone solo.

Four Prayers from the High Holyday Liturgy. I. Hayom Harat Olam (11908) II. Ayl Melech Yoshayv (11909) III. Uv'shofar Gadol (11910) IV. Avinu Malkaynu Chanayno (11911) Hinay Yom Hadin (Behold TheDay...

Four Prayers from the High Holyday Liturgy. I. Hayom Harat Olam (11908) II. Ayl Melech Yoshayv (11909) III. Uv'shofar Gadol (11910) IV. Avinu Malkaynu Chanayno (11911) Hinay Yom Hadin (Behold TheDay...

Opening with the phrase How you wonder what you are, this poem, described by the composer as a sort of fable for adults, is set for mixed voices with soprano solo as a work of lyricism and reassurance...

Opening with the phrase How you wonder what you are, this poem, described by the composer as a sort of fable for adults, is set for mixed voices with soprano solo as a work of lyricism and reassurance...