Partitions pour Chœur mixte (SATB)

In this highly original arrangement of the popular Christmas carol, dark and mysterious verses contrast with warm, joyful choruses. This setting can also be found in Rutter's Christmas collection Joy...

Commissioned by King's College, Cambridge, for the 2016 Festival of Nine Lessons and Carols, This Endernight is a tender, peaceful setting of well-known fifteenth-century words. The recurring melody h...

The choral writing in this energetic and joyful carol is rich with rhythmic character, while the organ part is typically virtuosic.

Set to the traditional text 'A Virgin most pure', Malcolm Archer's sprightly Christmas carol successfully combines a memorable tune, attractive sequences, and playful exchanges between choir and organ...

'A star as bright as day' is a quirky and thoroughly enjoyable setting of a familiar Christmas text, in which Alan Bullard presents the nativity story through contrasting and varied musical passages,...

This gentle and lyrical setting complements the well-known 15th-century text: 'A babe is born all of a may, to bring salvation unto us'. The harp and percussion parts are published separately, and the...

This simple and attractive carol sets a little-known text by the Rev. Canon John Gray (1866-1934). With an accompaniment for either organ and piano and optional soprano solos, this piece is accessible...

Benjamin Harlan's spirited arrangement of the French carol Angels we have heard on high has an energetic drive, a sparkling piano part, and a joyful refrain. Its sprightly 7/8 metre brings a fresh tak...

This appealing setting of a poem by Christina Rossetti has a memorable tune and a gentle, flowing piano accompaniment. Joyful, vibrant, and accessible, this carol is a great option for church and conc...

This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings, while the piano part complements the vocal...

This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout, the piece opens...

This gentle yet uplifting carol was first performed during the 2012 King's College, Cambridge Festival of Nine Lessons and Carols. Rutter's gift for melody is in evidence throughout the work, with a s...

This joyful take on the festive favourite would be the perfect ending to any Christmas concert. The choir grows from unison to eight parts, and a string of modulations keeps the audience on their toes...

This jovial carol uses a traditional text augmented with additional lyrics by David Warner, and Wilberg puts the melody through a wealth of festive musical treatments, including six-part voice divisio...

This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. An ideal opener for any Christmas Carol concert, the work is featured on the Choir of Truro Cathedral's...

The choral writing in this energetic and joyful carol is rich with rhythmic character, while the organ part is typically virtuosic. Alleluya. A new work is come on hand is recorded on the Regent Recor...

A star as bright as day is a quirky and thoroughly enjoyable setting of a familiar Christmas text, in which Alan Bullard presents the nativity story through contrasting and varied musical passages, pr...

The new organ accompaniment was transcribed by Peter Stevens for the King's College, Cambridge Nine Lessons and Carols service in 2007. The organ part is presented under Wilberg's original choral part...

Written for the 2018 BBC Advent broadcast from St John's College, Cambridge, A Prayer to St John the Baptist sets an artfully crafted text that combines Guido d'Arezzo's Ut queant laxis (itself a Hymn...

Written for the 2018 BBC Advent broadcast from St John's College, Cambridge, A Prayer to St John the Baptist sets an artfully crafted text that combines Guido d'Arezzo's Ut queant laxis (itself a Hymn...

Ring the bells is a joyful setting of a text by Frances Crosby that celebrates the coming of Christmas. Written in a lively compound time, the carol explores one melodic refrain through numerous keys...

A celebratory carol in a lilting 12/8 metre, Christmas Welcome sets a joyful fifteenth-century text by John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings...

Setting his own text, Archer's new carol is specifically dedicated to Mary. 'Ave Maria's are interspersed between flowing melodies that rock gently in 3/4 time, while the central section offers brief...