Partitions pour Chœur mixte (SATB)

Released in 2007, this original setting of an anonymous 19th-century text is written in verse-anthem style. The scoring for chorus, harp, and keyboard makes it an ideal companion piece for Britten's A...

Commissioned to honor Ken and Diane Ketel for their many years of music ministry at First United Methodist Church in Rapid City, South Dakota. Scored for mixed choir and organ, this Advent anthem sets...

The well-known poet, Christina Rossetti, provides this text for Michaelmas, the Feast of Saint Michael and All Angels (September 29). Broad Anglican-styled vocal lines, harmonies and a majestic organ...

A creative and unusual work, The Gale uses text painting, sound effects, and crafty choral writing to bring to life the text written by Abraham ('Abramek') Koplowicz, a Jewish boy who was exterminated...

This movement from Songs for the Journey has a text adapted from the poem 'Epitaph' by Merrit Malloy, 'When all that's left of me is love, give me away. ' Duration: 3:00

More Love' is the cornerstone movement of Songs for the Journey, which was commissioned in 2010 to be performed alongside Gabriel Faure's Requiem, and utilizes the same sonorous combination of horns,...

This final movement of the larger work Songs for the Journey is set to the traditional blessing, 'May the road rise up to meet you. '

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The texts for this set of three songs are mostly from the 19th century, but the sentiments are ageless. The special imagery in each of the poems finds its way into the musical setting. Evening Song fe...

Part of the collection Love Shall Live Forever. 'She Walks in Beauty' begins with a piano introduction allowing time to enter the poetic world of Lord Byron. A simple melody is accompanied by steady,...

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swa...

From a three-part collection based on poetry by American pioneers, this third piece, 'A Hoopla, ' depicts a barn dance and vocalists circle round the instruments, stomp, clap, and generally perform wi...

Spielpartitur - mit Klavierauszug, nur zur Probe

La ' Prière pour Thanksgiving ', écrite à l'occasion du 400e anniversaire de la ' Nuit des feux de joie ' (Guy-Fawkes-Day) en novembre 1605, a paru au moment où Londres a connu, en raison des attaques...

Joe Duddell's Magnificat and Nunc Dimtis was commissioned by Presteigne Festival of Music and the Arts with funding from Kevin Jones and Laura Woodside-Jones and received its first performance by the...