Partitions pour Chœur mixte (SATB)

Looking for a communion anthem? This is it! Robert Lau gives us a lyrical work for mixed voices with keyboard. Try it on world communion Sunday.

There are so many uses for this work originally by Franz Schubert. Try it on feast of the Good Shepherd, for general use, in whole or part as a prayer response, or during Lent.

Looking for a truly exceptional choral benediction? This short work will likely become a favorite for your choir and congregation.

Michael Patterson sets this translation from the mixed voices with keyboard. Try the piece for commencement festivities or as a rousing concert work.

Andre Thomas is one of our most venerated choral conductors and composers. Here, he sets this text by American poet Langston Hughes for mixed voices with piano. Consider the work for Commencement or w...

This ceremonial anthem is terrific in a festival setting. Written for mixed chorus with keyboard and optional trumpet or with brass quartet and timpani, Don McCullough is true to the Hyfrydol tune. Th...

Larry Shackley is well known to most church musicians. Once again he gives us a well-crafted anthem for mixed voices accompanied by an active piano. This is not a difficult piece and could easily be p...

This text is often arranged unaccompanied. Here, Eybler scores the work for mixed chorus and a small instrumental ensemble that includes 2 oboes, 2 trumpets, timpani, and strings. Though the chorus is...

Carol Nygard is no stranger to school and church musicians the world over. Try this holiday piece with your high school, church, or community chorus, it has a nice multicultural flavor.

The carol It Came Upon A Midnight Clear is beloved by all. Here, David Giardiniere sets the familiar text to a lovely new tune with mixed voices and piano.

This secular work for mixed voices with piano is based on an Appalachian folk tune. Try it with high school voices or a community chorus.

A really fun, novelty number based on various sayings about time, a good one for the encore, Time Flies, And So Must We.

Austin Lovelace continues to provide us with works of classical beauty on significant texts. This rather simple anthem is no exception. Try it during a stewardship emphasis or even Advent.

This Palm Sunday anthem is filled with imitative counterpoint typical of George Frederic Handel. Great for church choirs but also successful with high school voices, the work could be used on any fest...

This is a very simple gem of an anthem set to a text known to many. The melody is beautiful and the well-crafted modulations so appropriate. Try it almost any time of the year or during the summer whe...

For years Gerre Hancock was associated with St. Thomas church in New York City. Now on the faculty at the university of Texas, this is his first anthem in the Hinshaw catalogue. On a text from Isaiah,...

The text for the piece is taken from Isaiah 60 portraying Christ as the light of the world. Scored for brass ensemble with organ or full orchestra, the work requires a large chorus of skilled singers....

Those of you familiar with the Hinshaw catalogue most likely know the work of Valerie Showers Crescenz. In this work for divisi choir with soprano recorder the composer has truly found a new voice. Th...

Though new to the Hinshaw catalogue, Jay Althouse is no stranger to choral directors everywhere. This simple anthem for mixed chorus and piano, set to a text by Samuel Longfellow, has many possibiliti...

This work by Carl Nygard is set to Isaiah 43:1-4. For mixed voices and piano, try it for the baptism of Christ, the baptism of an infant, confirmation, or general use.

This is a work easily accessible for small choirs. On one of Charles Wesley's most familiar texts, the piece is scored for mixed voices with piano. It would make an easy put together for a summer Sund...

The Prayer of St. Richard of Chichester is a lovely 13th century prayer. In this setting, Don McCullough captures the haunting and moving textual meaning with mixed voices, keyboard, and oboe. It is a...

The text for this work is taken from Robert Louis Stevenson's A Child Garden Of Verses. For mixed chorus and piano, the notes indicate that 'the setting uses the piano to provide the river's endlessly...

This arrangement of the tune St. Columba is scored for mixed voices with organ. The lovely melody (sometimes sung by the men and sometimes by the women) is enhanced by an ornamental organ part and clo...

A 2008 John Ness Beck Foundation winner, the piece is set to a William Austin text and is scored for mixed chorus with piano. Excellent for both holiday concert or worship settings.