Partitions pour Chœur mixte (SATB)

Included in the Andre Thomas Choral Series, composer Rollo Fisher arranges this Irish folk love song for mixed chorus with piano, optional violins, mandolin, and guitar. The melodic charm, pleasing ha...

Dan Forrest understands the drama that can be created in music. This seven minute work known to almost all Americans (Navy Hymn) is scored for mixed chorus (divisi) with keyboard or orchestra and opti...

This text by John Henry Newman and Edward Bickerstith was made famous by inclusion in a number of hymnals to a tune by John B. Dykes (Lux Benigna). Here, Dan Forrest gives us a masterful original work...

This piece is basically a hymn anthem that utilizes the tune sale. With limited divisi the piece is scored for mixed voices with organ and optional congregational participation. It is a great piece wh...

Words from Shakespeare's 'Twelfth Night', act 2, scene 2. SATB, with soprano and tenor solos. Contains piano accompaniment

Based on scripture from Isaiah 55, the energetic style of David Schwoebel really brings this text to new life. Do you remember the highly successful setting of this text by Hank Beebee? Scored for mix...

The lyrics of Charles Wesley are found in almost every denominational hymnal. This anthem is scored for mixed voices with either organ or piano. Methodists might use the piece on heritage Sunday, but...

Johann Michael Haydn was a prolific composer who wrote hundreds of compositions including a requiem. The text lends itself for use at ordination or a festival liturgy. Scored for mixed chorus with 2 h...

For the more accomplished choir, this is a cheerful piece with words by Charles Wesley.

Mark Miller is mainly known for working with youth choirs. Scored accessibly for mixed voices with piano, this piece is perfect for confirmation, baptism, mission, or general use.

David Lantz is well known for his many fine anthems in a number of catalogues. Here, he sets the traditional American melody (Arise) for mixed chorus with keyboard. Consider using the piece for world...

Set for mixed voices with an engaging piano accompaniment, this piece would work well for baptism, renewal, or during Holy Week, suitable for either youth or adults.

Robert Lau is well know in church music circles for his exquisite part writing, understanding of the human voice, and all the practical considerations necessary for successful music ministry. Here he...

Bill Snedden sets the traditional English tune for mixed voices and piano. There are many arrangements of this tune on the market, but none as exciting and engaging. Try it with high school, college,...

The incessant eighth note 'rocking' motive in the accompaniment truly sets the mood for this reflective piece. The confessional text could easily be used during holy week, on Passion Sunday, or for pe...

Written in memory of the 2011 Japanese tsunami victims on a text by Anthony Silvestri, this piece is scored for mixed chorus with piano and may be sung in either English or Japanese. Combining element...

From the Andre Thomas Choral Series, composer Anthony Bernarducci sets this traditional liturgical text for a cappella SATB divisi chorus with djembe. The interesting and challenging rhythmic contrast...

This anthem for celebration of the eEcharist is based on the hymn tune Penitentia (found in many hymnals). Set to a text by Horatius Bonar and based on Revelation 19, Howard Helvey scores the work for...

The text for this lovely work is taken from an anonymous 14th century manuscript. Set for SATB chorus and piano or small orchestra, the work is accessible for many church choirs but also may have a pl...

This is an amazing rhythmic setting of the traditional German carol. Scored for SATB mixed voices with piano, the 7/8 meter provides new life to a work known to many of us. A good high school choir wo...

Dramatic, four-minute piece adapted from the letters of Peter, within the reach of most choirs

Beautiful, controlled setting of the familiar words from the Book of Common Prayer, not difficult, but requires attention to detail.

Selections from the letters from John capture the excitement of a first hand account of the good news, good chance to highlight the choir.

Words from Shakespeare (Hamlet) for SATB and guitar, it is a little different, but quite accessible for secondary chorus.

For this eleven-minute concert set, Parker has chosen five of Katharine Pyle's short poems full of brilliant little word pictures and bits of philosophy, transcribed for SATB and woodwind quartet (or...