Partitions pour Chœur mixte (SATB)

This ever-popular chorus from Handel's oratorio Judas Maccabaeus is now available in an elegant scholarly edition by Dr. David Stocker. Makes a great concert opener!

This hymn concertato is set for mixed voices with organ in the traditional classic style known for the works of Robert Lau. Try it on Trinity Sunday or for general use.

Instrumentation: piano or harp and oboe, or woodwind quartet of flute, oboe, clarinet, and bassoonThis familiar text is set to a traditional tune from Normandy. The score and quartet parts are availab...

Neil Harmon's arrangement of this traditional carol is scored for mixed chorus with piano or harp and oboe, or for a quintet of flute, oboe, clarinet, horn in F, bassoon, and a harp. Try this piece al...

This is a highly successful arrangement of the traditional tune from the 1582 Pie Cantiones the piece is set for mixed chorus with piano or harp and oboe, or a quintet of flute, oboe, clarinet, horn i...

A church musician himself, Neil Harmon writes exceedingly well for the church choir. As is the case here, many of his seasonal works are accompanied by a chamber ensemble (here for flute, clarinet, F...

Sandra Ford writes such accessible and engaging works for the small church choir. Here, she sets the familiar baker text for SAB mixed chorus with piano and optional flute. It is a great anthem of pra...

In Bill Snedden's setting of this beloved text, he pairs it with a lovely new tune for SATB chorus with harp or piano and optional flute, a great addition to any holiday concert.

Set to the free meter of chant, this piece is true to the 13th century plainsong. It is scored for SATB mixed chorus, optional children's choir, congregation and piano with optional flute or brass qui...

Goin' home, goin' home. I'm a-goin' home. Quiet-like, some still day, I'm just goin' home are the poignant lyrics famously set in a song based on the Czech composer Antonin Dvorak's famous Largo theme...

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

for SATB, congregation (opt), & organ

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions, many of which are still highly popular today. He studie...

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions, many of which are still highly popular today. He studie...

For four voices, with piano accompaniment for rehearsal purposes. Edited and arranged for modern use by Nigel Davison.

This work for unaccompanied SATB choir was written for the Choir of Winchester Central. It was commissioned by the Dean and Chapter of Winchester Cathedral for the enthronement as Bishop of Winchester...

Peter Maxwell Davies' 1990 work for unaccompanied SATB choir, written for the BBC singers. Words by George Mackay Brown. 'Written for the BBC Singers, this piece requires a high level of choral expert...

Written for SATB choir, organ and optional trumpet.

This twentieth-century triptych by renowned Canadian composer, Leonard Enns, includes the following poems by William Blake from his well-known set of poetry titled Songs of Innocence: 1. Introduction...

For SATB with Piano accompaniment for rehearsal. Words by John Keats.