Partitions pour Chœur mixte (SATB)

Originally published in John Gardner Carols, this lively arrangement of 'How bright the Morning Star does shine' approaches the well-known melody with an intricate fugal texture and baroque-inspired m...

First published in New Oxford Easy Anthem Book, this is a flowing anthem with a contrasting middle section and a supportive organ accompaniment, setting a text from the Book of Joel. It is suitable fo...

From the collection Bob Chilcott Anthems 2, 'Love Divine' is Chilcott's original setting of the familiar text by Charles Wesley. Scored for SATB and organ, it features an expressive melody and interwe...

From the collection Epiphany to All Saints for Choirs, this annunciatory anthem was originally written for William Crotch's oratorio Palestine. Scored for SATB and organ, it evokes an atmosphere of ce...

Originally published in Epiphany to All Saints for Choirs, this setting of Ave Maria is both gentle and expressive. Fervent passages blend seamlessly with moments of reflection while the organ support...

This is a witty and ingenious work, scored for three-part upper voices (either unaccompanied or with instruments doubling the voices). The three riddles each explore ideas of balance and symmetry, whe...

Score and parts of the instrumental version are available on hire.

Orchestral score and parts are available on hire

Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carols Set 1.

Inspired by the simple directness of William Chatterton Dix's vivid text, the composer explores the breadth of the choral canvas in this expressive carol, which is also available in a version for mixe...

One of the last anthems written by Stanford before his death, this is a sophisticated setting of Watt's well-known text. The opening theme is transformed in several ways, with a touch of gravitas befo...

An extended setting of the well-loved text, with colourful changes in character contributing towards a stirring sense of prose. It was described by Herbert Howells, one of Stanford's favourite pupils,...

This delightful anthem (with organ) by Louisa Bagot was performed at St George's Chapel, Windsor, and Canterbury Cathedral during the 19th century. It contains verses for SAB and SATB, a Bass aria, an...

This setting of verses from John 7 imaginatively depicts the 'rivers of living water' and the contrasting 'parched land' in episodic form, providing musical structure, variety, colour, and atmosphere....

Inspired by Geertgen's painting Nativity at Night, Candlelight Carol centres around the love of a mother on that first night in the stable. Presented here in German translation. The orchestral accompa...

This traditional Christmas carol, originally arranged by Vaughan Williams for SA choir in 1954, has been rearranged for SATB choir and piano. This arrangement has an appealing balance of upper- and lo...

An exquisite setting of a love song by Sir Philip Sydney. Also available in versions for solo high version, SSAA, and SATB (from Iirthday Madrigals).

The hymn Come, Holy Ghost lies at the heart of Celestial Fire. Here, McDowall has woven the exquisite poetry of Denise Levertov into this expressive and uplifting piece. At times quietly meditative, C...

Setting a well-loved medieval text, this effective piece paints the story of Jesus through lyrical melodies and beautiful harmonic surprises. The vocal lines offer both powerful intensity and skilful...

Commissioned by King's College, Cambridge for the 2015 Festival of Nine Lessons and Carols, this setting of a poem by George Szirtes on the subject of the flight to Bethlehem has rich and ethereal har...

Offprinted from Advent for Choirs, this setting of the Matin Responsory is full of drama and varied choral textures, from its declamatory opening in G minor until its unexpected but thrilling conclusi...

This work is classic Chilcott - vibrant, fresh, and great fun. It is an exuberant setting of the well-known carol in which the 'five gold rings' refrain is re-written to appear in an array of guises:...

The melody and harmony for verses 1 and 2 were adapted by W. H. Cummings from a chorus by Mendelssohn, and the third verse is arranged by Rutter. Orchestral scores and parts are also available. Offpri...