Partitions pour Chœur mixte (SATB)

From Messiah. Edited by H. Watkins Shaw.

From Messiah. Edited by H. Watkins Shaw.

Vocal Score for the Chorus from Samson. For SATB Choir and Keyboard accompaniment.

From Messiah. Edited by H. Watkins Shaw.

From 'Mount Of Olives'.

Bread Of Heaven, On Thee We Feed gentle and expressive piece, which has been beautifully arranged for SATB Choir with Piano Accompaniment by Edward German.

From The Life And Adventures Of Nicholas Nickleby. Arranged by Stephen Oliver for SATB Choir and Piano Accompaniment (Orchestral Parts available on hire).

A motet for mixed voices with accompaniment, edited by Juidith Blezzard.

Anthem for SATB Choir and Organ. Text from The Alternative Service Book.

Version for SATB Choir and Piano (or Organ).

A lively setting for SATB Choir and Piano.

For SATB Choir with Piano or Organ accompaniment. A lively setting of an English translation of Les Anges dans nos campagnes.

Vocal score for SATB with Piano accompaniment. Includes a paragraph explaining the historical background and context of the work.

For SATB chorus, Clarinet in B flat, Percussion, Harp and String Orchestra. Commissioned by the Barlow Endowment for Music Composition at Brigham Young University, the Dale Warland Singers Commission...

Blessing by Paul Mealor was written for the installation of Her Royal Highness The Duchess of Cornwall GCVO as Chancellor of the University of Aberdeen, and first performed by the Chapel Choir of King...

O sweetest Jesus is the third movement of Crucifixus, which was commissioned by the sound festival, and premièred by the National Youth Choir of Scotland, the National Youth Orchestra of Scotland Futu...

A Welsh Prayer is a setting of a poem by Grahame Davis for SATB Choir and two Harps composed by Paul Mealor. A Welsh Prayer was commissioned by Holywell Music and the North Wales International Music F...

Michael (A Fanfare Setting) was composed by Herbert Howells and arranged by Christopher Palmer for SATB Choir and full Orchestra.

Sursum Corda is a work by Martin Shaw. A cantata for Tenor Solo, Chorus and Orchestra, the work sets a poem by Laurence Binyon, and was written for the Three Choirs Festival, Hereford, in 1933.