Partitions pour Chœur mixte (SATB)

A dramatic and characterful presentation of Psalm 68 for mixed voices and piano that is rich in colour and changes of tempo and style.

This is a peaceful and expressive setting of Oliver Cooke's hymn 'I Know a Fount', a musical reminder that by God's love and sacrifice our sins are washed away. The rich, homophonic choral writing and...

This piece sets the first six verses of Psalm 105 in a song of praise packed with energy and fervour. A spirited organ part is present throughout, with spritely triplet figurations set against long, m...

This spirited setting of Psalm 150 is steeped in the English choral tradition. It features contrapuntal writing, engaging interplay between choir and organ, effective word painting, and virtuosic orga...

With a text by the composer, this declamatory Christmas piece provides a fresh take on the nativity story. The cacophony of choral sound in the polyphonic middle section is akin perhaps to the angelic...

Written for the Choir of The Cathedral of St John, Albuquerque, Ash Wednesday sets typically fervent verses by Christina Rossetti. The vocal lines are mostly simple and affecting, with some highly ind...

Experience a deeply emotional highlight of contemporary sacred choral music with this moving 'Stabat Mater' from the celebrated work 'Passion Music'. Scored for mixed choir (SATB with divisions) and p...

This is a flexible hymn for general worship, with an original hymn tune ('Charleston') by Howard Helvey. Either Francis Scott Key's 'Lord, with glowing heart I'd praise thee' or Charles Wesley's 'Love...

No. 3 of Five Hymns in Popular Style. Orchestral material is available on hire. An SSA version is also available.

No. 5 of Five Hymns in Popular Style. Orchestral material is available on hire.

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choi...

Experience one of the most touching classics of choral music in a captivating new setting: This expressive "Alleluia", published by Oxford University Press, is based on the world-famous, tender melody...

pour SATB et ensemble de quatre musiciens (flûte, hautbois, harpe, orgue). La mise en musique très appréciée de John Rutter de la bénédiction d'Aaron (Nombres 6:24). Compatible avec les versions SATB...

pour SATB et ensemble de trois pièces (hautbois, harpe, orgue). Accompagnement pour ensemble de chambre de trois pièces de l'arrangement du Psaume 23 de Rutter. Le coffret comprend la partition complè...

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is Chilcott's first setting of the Evening Service, written for the Choir of Downing College, Cambridge. The Magnificat is a powerful setting of the Canticle of Mary, with homophonic textures and...

This charming piece has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stirring unison 'amen'. Benediction is ide...

Featuring beautifully arching phrases, an optional soprano solo, and exultant yet tender climaxes, this anthem will be an instant hit with all types of choirs. The text by Selwyn Image based on I Cori...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

This elegant setting of the Evensong canticle Nunc Dimittis is in homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of t...

This elegant setting of the Magnificat a homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of the English church reperto...

Un arrangement du célèbre hymne de John Darwall avec plusieurs versions de l'accompagnement disponibles : orgue, ou cuivres et orgue, ou orchestre complet.