Partitions pour Chœur mixte (SATB)

Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bom...

In contrast to Lassus's three-part setting of the Adoramus te, Christe text, the heavy texture employed in this five-part work demonstrates a more mature Lassus.

This concerto is an 18-minute single span of music, although it is broken down into three sections - fast, slow, faster. The musical language explores folk-derived materials and performing practices.

To Music is a jubilant anthem set to a poem by Robert Herrick ('To Music - A Song'). Commissioned by the BBC to mark Stephen Cleobury's 60th birthday celebrations in 2009, the work perfectly captures...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo low voice a...

This small-scale work would make a useful repertoire piece, bearing in mind the need to provide compatible items for groups playing the Debussy flute/harp/viola sonata.

This is a vibrant setting of Psalm 148 and ends with a grand organ toccata. This anthem of praise is appropriate throughout the Church's year.

This gentle carol sets the text of Isaac Watts' popular 'Cradle Song' to the music of Charles Villiers Stanford's lullaby, 'Golden slumbers, kiss your eyes', from his Six Songs (op. 19), written in 18...

Let all the world in ev'ry corner sing is an upbeat setting of a hymn text by seventeenth-century English poet George Herbert. Chilcott uses irregular metres, syncopation, and dancing melodic shapes t...

This poignant anthem was originally composed to be sung at a funeral. It is a beautifully composed work, sufficiently sombre for such an occasion, but with a celebratory element which is uplifting and...

Available here in German translation Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor, Sir David Willcocks. Offprinted from Weihn...

This gentle, reflective piece, originally from Three Children's Songs, has been arranged for a mixed choir and is perfect for a spring concert. Offprinted from Vaughan Williams for Choirs 2.

This luminescent setting of 'O lux beata Trinitas' (ascribed to St Ambrose) uses a variety of textures and vocal techniques to reflect the joy expressed in the text - from simple homophony to improvis...

The sustained homophonic opening creates an ethereal sound-world, mirroring the reverence of the text of this Eucharistic hymn. The exquisite vocal lines that follow create simple but effective polyph...

Setting words by the composer, One of these days is an affirmatory piece with pop-inspired rhythms and harmonies. The scat syllables and repeating patterns of the lower parts provide a rich cushion fo...

This anthem sets the Antiphon at All Saints to a lively melody and rich, sonorous harmonies. Opening and closing with a drawn-out melisma, the music moves between different rhythms and textures. Ideal...

Based on Feste's famous words from Twelfth Night, this energetic piece abounds in word painting and imitative exchanges, as the music sings, dances, questions, laughs, and teases along with its text,...

Setting words from a manuscript in Westminster Abbey Library, A babe is born joyfully exclaims 'And Jesus is his name'. Park artfully switches between regular and irregular metres within a polyphonic...

This is a powerful setting of an Advent prayer from the Mozarabic Liturgy. Emotive chromatic harmonies reinforce the dramatic imagery of the text to create a strong and stirring anthem.

John Rutter creates a peaceful and contemplative atmosphere in this new arrangement of the traditional German carol, Lo, how a Rose e'er blooming.