Partitions musique latine big band

Written in a dynamic, fast, mambo style, saxes do most of the heavy lifting in this original from Michael Mossman, supported by punches and answers in the brass. With stunning harmonic treatments and...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger's version of this familiar standard...

Commissioned by the South Carolina Band Directors Association, Finya Wulo (Mende - 'funeral song') is written using a distinctive 12/8 'bembe' feel in a moderate tempo. The scoring utilizes a small co...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

This familiar tune from the 1930s has become a favorite with jazzers over the years. Here's a wonderfully crafted arrangement in the six-horn format that starts out as a relaxed jazz samba, then moves...

Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, The Nearness of You has remained popular through the ages with recordings by countless artists. Ar...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...

Using a moderate tempo and modest brass ranges, here is an easy arrangement of this Charlie Parker classic that alternates in style between Latin and swing. Saxes are featured in the beginning, later...

This jazz fusion classic by Chick Corea was recorded by Stan Getz in 1972 and also by Chick Corea with his group Return to Forever on the landmark album Light as a Feather. In this exciting version fo...

Based on Michael Mossman's arrangement recorded by Tito Puente (on Special Delivery) here is Gerry Mulligan's jazz standard set in a simmering mambo style for Little Big Band. The entire ensemble gets...

Recorded by the acclaimed Cannonball Adderley Quintet in the 1960s, 'Jive Samba' became one of Nat Adderley's best-known standards. Arranged here for little big band and in a moderate cha-cha style, t...

Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark's big band CD To the Edge. With its easy going bossa style and gently flowing...

Nobody does cha-cha like Michael Mossman. This inventive original features a smooth harmonic structure and a nice blend of inventive melodies with carefully crafted accompaniment figures. The solo sec...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

This Calypso flavored composition from Sonny Rollins may not be as well-known as his St. Thomas, however Duke of Iron is a distinctive and marvelous tune on its own. Featuring the two tenor saxes and...

This American popular song is a must know in the jazz standard repertoire. Arranged here in a smooth samba groove, Mike Tomaro takes full advantage of the six horn format. Includes flexible solo space...

This well-known Cuban song has been recorded by countless artists through the years, and receives a standout contemporary setting for full jazz ensemble from Latin master Michael Mossman. Arranged in...

Skillfully adapted for young players, John Berry takes this familiar Cuban song and gives us a great sounding Latin chart with easy ranges and a modest tempo.

As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured first, but every section of the band gets a w...

Mark uses a light samba feel to craft a marvelous setting of this Charlier Parker standard for the little big band format. Perfectly scored tutti ensemble figures are contrasted with feature spots for...

Composed by jazz master Dizzy Gillespie, and arranged here by Latin master Michael Mossman, this appealing chart features a comfortable cha-cha groove, a distinctive harmonic progression, and a tunefu...

You can never go wrong with a solid Latin groove and a singable head. Excellent ensemble scoring makes it sound full and more advanced. Open solo section for Alto Sax, Tenor Sax, Trumpet and Trombone.