Partitions musique classique pour orchestre

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, who lives in Wiesbaden combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Le Boléro de Maurice Ravel (1875-1937), M. 81/ IMR 4, est une œuvre issue d’un exercice d’orchestration inspiré d’un rythme caractéristique de la danse espagnole éponyme. Aujourd'hui, il est généralem...

Flûte/Piccolo, clarinette en la, basson, cor en fa, trompette en si b, trombone 1/2, trombone 3, cymbales, Gran Cassa, cajon, congas, célesta, guitare électrique, piano, bandonéon, violon I, violon II...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 en Sib, Fagotto, Corno 1 en Fa, Corno 2 en Fa, Troma 1 en Sib, Tromba 2 en Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 en Sib, Fagotto, Corno 1 en Fa, Corno 2 en Fa, Troma 1 en Sib, Tromba 2 en Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 en Sib, Fagotto, Corno 1 en Fa, Corno 2 en Fa, Troma 1 en Sib, Tromba 2 en Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Flauto 1/Ottavino, Flauto 2, Clarinetto 1 en Sib, Fagotto, Corno 1 en Fa, Corno 2 en Fa, Troma 1 en Sib, Tromba 2 en Sib, Trombone 1/2, Trombone 3, Slide Whisle, Cabasa, Güiro, Woodblock, Cajon, Piatt...

Piano, bandonéon, guitare électrique, percussions, violon I, violon II, alto, violoncelle, contrebasse

Violon solo, violon I, violon II, alto, violoncelle, contrebasse

This cantata features sixteen highly-varied folk song settings, bound together in seasonal groupings to take the listener on an engaging journey through the year from Spring to Winter. The prologue im...

HPS 1308 Contents: The Bonny Earl o' Moray - Come you not from Newcastle? - Little Sir William - O can ye sew cushions? - Oliver Cromwell - O Waly, Waly - The Plough Boy - The Salley Gardens - La Bell...

For baritone solo, semi-chorus, SATB & orchestra This study score combines the scholarship of the Edition with the practical benefits of the smaller format. picc, 2fl, 2ob, ca (opt.), 2cl, b. cl, alto...

J'ai composé cette messe dans les premières années de ma présence à Notre-Dame, avant la création de l'association Musique sacrée à Notre-Dame de Paris et la restructuration du chœur de la cathédrale...

In 1892 Dvorak received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbus's discovery of America. In response he wrote an i...