Partitions musique classique pour orchestre

Tiré de l'opéra le plus réussi de Camille Saint-Saëns, cet arrangement puissant et énergique met à l'épreuve toutes les sections, tout en restant à la portée des orchestres de lycée. Une autre sélecti...

Taken from Camille Saint-Saëns' most successful opera, this powerful and energetic arrangement challenges all sections, yet is within the grasp of high school orchestras. Another skillful Merle Isaac...

Dans la mythologie grecque, Hypnos est le Dieu du sommeil.J'ai composé cette oeuvre symphonique entre 2014 et 2018. Commande de Constantin Rouits et de l'Orchestre de l'Opéra de Massy, cette compositi...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.

The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.

Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester

Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as directo...

The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...