Partitions musique classique pour ensemble à vents mixtes

One of Dvorak's most famous works, this beautiful arrangement allows the oboist to play the familiar excerpt on the English Horn, and then switch over to the oboe for the middle section of the movemen...

Fünf Musiker:innen spielen exakt fünf Minuten lang fünf Instrumente. Die Form ist streng bemessen, das Verhältnis 3:2 gilt als oberstes Gebot, die Ziffern 3 und 2 sind zentrale Motive. Diese Form ist...

1ère voix en do (flûte) 1ère voix en si bémol (clarinette/saxophone soprano) 2ème voix en si bémol (clarinette/trompette) 2ème voix en mi bémol (saxophone alto) 3ème voix en si bémol (clarinette basse...

Quatuor à vent en formation variable (cuivres, bois, également formation chorale mixte). Les deux pièces présentées ici, extraites de l''Oratorio de Noël', op. 12 (1858) de l'éminent romantique frança...

Treat your audience to a delightful musical feast with "Amuses-Bouches" published by ND-Verlag! This charming piece for the unique and colorful combination of flute and trumpet offers captivating musi...

Maritime freshness, virtuosic wit, and infectious charm: Composed in 1943, '3 Shanties for Wind Quintet' is one of the most beloved and vibrant works in the wind quintet repertoire. Across a performan...

This is a straightforward; yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique; but is such a fine piece; it practically plays itself.

Reverie celebrates the wonderfully lyrical voices of the 'traditional' wind quintet - blending together as five singers; yet remaining distinct as individual voices. The work opens and closes as the v...

Since first composing It Takes Four to Tango in 1990 for a clarinet quartet, Dorff has been asked to transcribe/arrange the piece for various instrumental ensembles, with many of the arrangements avai...

The depth and charming inventiveness of Harberg's Suite can only be described as remarkable. Each movement has a degree of archaic inspiration (seen in the movement titles), newly stirred up into dram...

Perfect for pops concerts, SUITE NO. 3 provides a quaint time capsule of jazz-inspired classical music from 1939, soon after Gershwin's death, and just before the hard-edged modern jazz of the 1940s....

There is a refreshing spontaneity to Samuel Adler's WIND CONVERSATIONS for woodwind quintet. The slow introduction explores the timbres of the ensemble in glowing and harmonious polyphony, while the m...

This 5 minute concert opener is sure to start any program with an energetic bang. With a steady rhythmic groove, section solos and a soaring melodic lines, Leshnoff's style in writing accessible, dyna...

Siegfried Idyll was first performed in 1870 on Christmas Day in Wagner's home with a small 13 piece orchestra. It was written as a birthday present for his second wife, Cosine, a year after the birth...

Immerse yourself in the captivating sound world of Malcolm Arnold: With "Dream City", Queen’s Temple Publications presents a delightful arrangement for wind quintet, based on an early piano work by th...

An important and significant work, written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce...

Unpublished for over sixty years, this typically characterful work is very much in the style of Sir Malcolm's great film scores of the fifties and sixties.