Partitions musique classique pour chœur de femmes

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

pour SSAA sans accompagnement. Garden of Dreams se compose de fragments de textes de Sappho, traduits par Arthur Sanders Way et A. S. Kline. Sarah Quartel a utilisé des rythmes croisés, des syncopes e...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

Keeping Time for Joy de Marie-Claire Saindon regorge de la joie contenue dans le texte de l'écrivaine contemporaine Sarah Windle. Des mélodies scalaires de type folklorique, imprégnées d'élan grâce à...

Dédiée aux "sœurs du monde entier", cette œuvre en trois mouvements combine un certain nombre de thèmes à travers la poésie de Sara Teasdale. Le premier mouvement, "Sister of the Sky", se concentre su...

for SSAA unaccompanied Une interprétation simple et tendre du célèbre poème de William Blake, particulièrement adaptée aux jeunes voix.

Une présence féminine énigmatique tourbillonne dans une volubilité sombre et inquiète, avec des phrases courtes et tranchantes : cette première moitié du poème " Fantôme " de Florence Delay est comme...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...

Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...

Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, op...

Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, op...

A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Express...

A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Express...

Cherubini's 18th-century composition has become one of the most recorded and performed masterworks of our time. Dr. Robinson's well-conceived arrangement can be performed either a cappella or with the...

Cherubini's 18th-century composition has become one of the most recorded and performed masterworks of our time. Dr. Robinson's well-conceived arrangement can be performed either a cappella or with the...

Écrite par la première compositrice mexicaine connue, María Grever, cette vals Mexicano (valse mexicaine) est une charmante œuvre a cappella pour des chœurs de qualité. Cette œuvre texturée offre des...

Enjoy the bright energy of 3/4 felt in one. This rhythmic Greg Gilpin original may be accompanied by shaker alone or the optional keyboard part. Vibrant vocables have no literal meaning, but virtually...

Largo aus der 9. Sinfonie von Antonín Dvorák.

(Nach einem Salzburger Weihnachtslied)

Thema aus Beethovens Appassionata.