Partitions musique classique pour chœur de femmes

Vocal score for this work for SSA, two horns and harp, with words by Von Eichendorff. Accompaniment adapted and words translated by Robert Elkin.

Charlotte Bray's On The Green was comissioned in 2013 by the Royal Philharmonic Society and Britten-Pears Foundation to celebrate the centenary of the birth of the composer Benjamin Britten and the bi...

This work by Patrick Hawes was inspired by the legend of The Angel of Mons. This is the vocal score for SSA choir with Piano accompaniment. The legend claims that an angel appeared before members of t...

Waltzes for piano duet with optional voices, arranged for SSA by Reginald Johnson. English words by W. G. Rothery.

The New Novello Book Of Short & Easy Anthems' For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, b...

A setting of Francis Chesterton's poem for upper voices and piano or organ accompaniment.

For SATB choir unaccompanied. Commissioned by Graham and Alison Noakes for Farnham Youth Choirs. First performed 30th June 2019 by Farnham Youth Choirs with pianist Matthew Rickard, conducted by Joann...

This adaptation of a text from Shakeseare's Twelfth Night is written for the upper voices (SSA) with Piano accompaniment.

Set to words by W. G. Rothery, this is Johannes Brahms' setting of The Little Sandman, arranged for SSA choir with Piano accompaniment by John E. West.

Originally part of Brahms's Requiem Op. 45, this undulating and expressive setting has been arranged by H. A. Chambers for a chorus of high voices, with a full Piano accompaniment derived from the orc...

Written for mezzo-soprano, SSA chorus and piano.

Text in French and Italian.

A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Suitable for concert use.

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) is the first of Rebecca Clarke's choral works ever to be published.

For unaccompanied five-part women's chorus (SSSAA). Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the E...