Partitions musique classique pour alto

Le matériel thématique et la difficulté sont également répartis entre les parties de ces arrangements pour quintette, qui sont compatibles avec les versions pour violon, alto et violoncelle.

The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the secon...

The third piece from Opus 9 in particular is eminently suitable for transcription of the piano part to the organ without in any way detracting from the whole, which concentrates as it does on the solo...

Fantasy for viola and harp is dedicated to my beloved and close friends Julia Malkova and Mickaele Granados. This work is based on the creation and combination of pedal textures and harmonics where th...

John La Montaine's Conversations was composed so that it might be realized in terms of a variety of instruments with piano. The four movements (Encounter, Dispute, Affections, and Word Games) are base...

Though born in the Netherlands, composer Marinus de Jong (1891 - 1984) traded his Dutch citizenship for a Belgian one in 1926, and is considered one of Belgium's most prominent composers and pianists...

Ken Benshoof's Rondo for Viola and Harpsichord, written in 1969 and in Benshoof's early style, nonetheless exhibits distinct facets of his later musical language - clever and rhythmically-driven ideas...

August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study...

Klavier inkl. Einzelstimme

Viola da gamba, Basso continuo - Spielpartitur; Einzelstimme