Partitions musique baroque : Le raffinement des grands maîtres
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
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In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...
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In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...
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Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...
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Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...
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The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
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The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...
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This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
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This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free...
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Bien que le Canon en ré pour trois violons et basse continue l’ait rendu célèbre presque dans le monde entier, la création de Johann Pachelbel (1653-1706) se situe sans aucun doute dans le domaine de...
Bien que le Canon en ré pour trois violons et basse continue l’ait rendu célèbre presque dans le monde entier, la création de Johann Pachelbel (1653-1706) se situe sans aucun doute dans le domaine de...
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- Francesco Tasini
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In dealing with the diminution of the 20 Ricercari contained in the Libro terzo, I decided, out of respect for Merulo's original, to keep throughout the voices as they appear, thus deliberately refrai...
In dealing with the diminution of the 20 Ricercari contained in the Libro terzo, I decided, out of respect for Merulo's original, to keep throughout the voices as they appear, thus deliberately refrai...
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- Francesco Tasini
- UT Orpheus Edizioni
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Arranged by Denes Agay. For Organ Solo. Classical. Part. Composed 2003. 4 pages. Duration 3:20.
Arranged by Denes Agay. For Organ Solo. Classical. Part. Composed 2003. 4 pages. Duration 3:20.
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