Partitions moyen pour Orchestre à cordes

Monteverdiana est une œuvre pour orchestre à cordes qui rend un hommage contemporain à la musique de Claudio Monteverdi. Conçue comme un pont à travers le temps, cette partition transpose l'esthétique...

Mark Revell's Spring Forward is composed in a similar style to his commercial music (such as his LG Signature commercial, found in this YouTube link). This work was written to express the joys of spri...

Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. Th...

Bacchanale is a frantic dance full of reckless abandon. Taken from the name of the Roman god of wine Bacchus, this work is a festive celebration. It starts with lyrical melodies juxtaposed against sha...

Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. Many of his works are known as 'pastiches,' works composed in the styles of other composers. Kreiser wrote Tempo d...

La danse Zamacueca a des racines andines et péruviennes, incorporant des éléments indigènes et espagnols. Le compositeur afro-cubain Jose White Lafitte a probablement adopté ce style lorsqu'il vivait...

Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...

Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb

Perhaps the best-known and most played work of Corelli, standard repertoire of each violinist, in an arrangement for string orchestra.

Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music - in the truest sense of the word - consisted of a sequ...

Partitur = Cembalo