Partitions moyen pour Big Band et Orchestre de Jazz

Recorded by Tower of Power on their 1974 Urban Renewal album, this driving funk classic epitomizes the lasting appeal of this popular band. Mike Tomaro does a great job of adapting this for jazz ensem...

Reminiscent of the sassy and funky version recorded by Chaka Kahn, here is a hot re-working of the classic Beatles hit. Featuring creative harmonies and sizzling horn riffs, this is sure to add a spar...

Here is one of the signature hits from the 'Godfather of Soul” James Brown in a funky and well-scored chart. The saxes take the lead while the brass deliver all the tight horn riffs. An optional open...

From the Trombone Shorty CD 'Backatown', this tune features the powerful underlying pulse of a New Orleans second line feel. In this exciting arrangement, the ensemble alternately screams with the ful...

From the Trombone Shorty CD 'Backatown', this tune features the powerful underlying pulse of a New Orleans second line feel. In this exciting arrangement, the ensemble alternately screams with the ful...

This funk classic from Jaco Pastorius naturally features a prominent role for the bass player. Skillfully arranged for full jazz ensemble, the back and forth riffs are traded between smaller groups wi...

This classic funk tune from the '70s was written by Stevie Wonder, but became a huge hit for Rufus and Chaka Khan. Featuring a slow and driving pulse with heavily syncopated figures, this chart provid...

Ce morceau de funk groovant a été écrit pour le 2025 South Carolina All-State Jazz Ensemble. Avec des rythmes mordants, des tournures harmoniques et des orchestrations fraîches, ce morceau offre un so...

Medium funk, combo version recorded by Bob Mintzer on One Music (DMP 488). Lead trumpet: notated B2; Lead trombone: A1. Medium advanced

Rhythmically challenging Latin-funk piece, recorded on Departure (DMP 493). Very moderate brass ranges. Medium advanced

A chorale intro leads into a funky groove. Saxes take the heat with some hot solis, and the brass section stays busy as well. Rhythm section parts are critical, especially the bass, but it's not too c...

This Cuban-flavored salsa is interspersed with some funk grooves. At 190 BPM, this chart includes written solos for trumpet 2 and tenor, and a lead trumpet range is to written A above the staff. Also...

Down To The Nightclub' der Funkband Tower of Power mit Soli für Tenorsaxophon, Posaune oder Gitarre. Tonumfang der Lead-Trompete bis c3

Dans le style du regretté et grand Roy Hargrove, ce morceau funky en huitièmes régulières prend son envol. Il se joue à environ 100 BPM et la tessiture de la trompette soliste va jusqu'au ré au-dessus...

Der Hit Ladies Night, der 1979 auf dem gleichnamigen Album von Kool & the Gang veröffentlicht wurde, ist bis heute ein Erfolg. Besungen wird hier die beliebte Aktion von Bars und Clubs, durch die soge...

In composer Peter Sciaino's own words "I was going for a New Orleans vibe...like a Dirty Dozen Brass Band sort of thing but it went J.B. Horns (James Brown) style at some point." That beautifully sums...

Originally recorded by Cannonball Adderley on his album Domination, Cyclops is one of those charts that will make your audiences bob their heads and tap their feet. This tune grooves! Set as a medium-...

In sort of a throwback style of slow funk, here is a skillfully composed vehicle for solo alto sax. Rich harmonies and an infectious groove help set the stage. And with careful pacing and tight ensemb...

Gotta have this one! Composed by Grammy winner and jazz legend Herbie Hancock, arranged for you by Alan Baylock, this is funky and hip. Open solo space for all, lead trumpet goes up to written D, plus...

Great riff tune from Sonny Rollins. Arranged here for a small group, it sounds more like a big band!

Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads t...

Composé par Antonio Carlos Jobim et arrangé ici dans un style samba moyen, ce standard mélodieux convient parfaitement au format combo à 4 cors.

Enregistré à l'origine par Art Blakey & The Jazz Messengers en 1960, ce classique de Wayne Shorter a été écrit en l'honneur de Lester Young. L'enthousiasmante partition de Mark Taylor s'ouvre sur une...