Partitions moyen de Musique classique

Gades Streichsextett in Es-Dur, Op.44, wurde 1865 veröffentlicht. Es ist gut zusammengestellt mit ansprechenden Melodien und jedes Instrument hat eine dankbare Stimme. In der Andante-Einleitung zum er...

« Arietta » date de 1898, la même année que la « Ballade pour orchestre » (opus 33) de Coleridge-Taylor et sa cantate « Le Chant de Hiawatha » (opus 30), inspirée du poème épique de l'Américain Henry...

Instrumentation: Violin I, Violin II, Violin III (Viola TC), Viola, Cello, Bass, Piano One of the best new pieces for advancing string orchestras that we have heard in years, this piece is destined to...

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe

This concerto for oboe and string orchestra in G major first appeared under the name of Giovanni Platti. According to new research by the present editor, however, it can be attributed to the Catalan c...

Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Viola, 2 Violoncelli/Kontrabässe - Klarinette und Streichorchester; 2 Hörner ad lib.

The edition is part of the Trinity syllabus 2007 (grade 7)

Ausgabe für Violine und Klavier

In an idiom far removed from the melodic, harmonic and structural approach usually associated with the harpsichord these pieces are particularly individual and intriguing.

Friedrich Zehm, pupil of Harald Genzmer, combines stylistic elements from classicism and pop in his three-movement rhythmophony.

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...

This volume presents a piece that belongs in the standard repertoire of every flautist: the Sonata for flute and harpsichord, BWV 1020, in G minor by Johann Sebastian Bach. This publication is a compl...