Partitions moyen chez Queen's Temple

Flute, oboe and piano. Written in June 1940. This is the first published edition. Sir Malcolm at his most entertaining. Audiences will love this. An alternative clarinet part (replacing the oboe part)...

With the "Grand Fantasia" from the renowned publisher Queen’s Temple, you can look forward to a vibrant and captivating chamber music work that enchants musicians and audiences alike. The piece stands...

A charming and very attractive new addition to the repertoire, from the pen of Mike Cornick - well known for his jazz publications.

A highly enjoyable set of pieces with a Wild West theme, using 1st to 4th positions - making it also educationally attractive. Effective but very playable piano parts.

An important addition to the clarinet repertoire, this Sonata by Timothy Bowers is part of his complete set of wind sonatas. An attractive and powerful work, it would make excellent study material for...

Two movements from the great clarinet quintet. Duration: 10 mins.

Immerse yourself in the rich, warm soundscapes of woodwind harmony: This wonderful "Adagio," published by Queen's Temple, is a true gem for any clarinet ensemble. This sensitive arrangement for four B...

With "I do like 2 Bs beside the side C", renowned composer James Rae delivers yet another delightful piece full of charm, wit, and pedagogical brilliance. The humorous title playfully reveals the musi...

Specially commissioned for the 8th Malcolm Arnold Festival Toby Young's brilliant Fanfare catches both the wit and ceremony of the master's style. A terrific Fanfare for all occasions!

This collection, published for the first time, dates from 1937 when Arnold was still only 15, to 1945 by which time he had composed his overture Beckus the Dandipratt, much chamber music and his 1st H...

Discover a true chamber music gem with this delightful "Divertimento" for flute, oboe, clarinet, bassoon, and piano, published by Queen's Temple. This wonderfully tuneful and expressive work seamlessl...

For 5 Bb clarinets & bass clarinet. Three carols most imaginatively arranged by this important British composer. Duration: 6 mins.

Robin Milford was a friend of Gerald Finzi and this work certainly owes something to that major 20th century composer.  The Quintet is full of wonderful tunes as well as robust and characteristic writ...

Fantasy on an Old English Melody is based on a fragment of melody called The Leaves be Green which was popular in Elizabethan times. Queen's Temple Publications is delighted to publish this wonderful...

An important and significant work, written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce...

Unpublished for over sixty years, this typically characterful work is very much in the style of Sir Malcolm's great film scores of the fifties and sixties.

An exhilarating and hugely entertaining take on a traditional festive melody, inspired by the flamboyance of the 19th century Variations genre. Guaranteed to thrill and amuse audiences (at any time of...

Encore! is both the perfect encore to round off any clarinet recital or can be played as a stand alone show-piece. Also particularly suitable for festivals and competitions. The writing is very melodi...

A modern concert piece using exciting and effective rhythms. 

Alone represents a significant addition to the relatively small repertoire for unaccompanied bass trombone. Timothy Bowers' brass works have become highly regarded and this will make an effective comp...

The Phantasy, written when the composer was twenty for the Cobbett prize at the Royal College of Music. The piece demonstrates a confidence and flair, as well as an emerging sense of the distinctive A...

A bold first movement leads into an expressive and melodious central movement. The work ends with some typically extrovert organ writing. 

An exhilarating concert piece - bittersweet, as the title suggests. 

A suite of five colourful and evocative movements, suggesting organ music associated with films, circuses and shows. 

A challenging study for the really serious oboist. Inspired by Gillet No. 3 and intended as an equivalent to strengthen the fourth finger of the left hand.