Partitions moyen chez Hal Leonard : Niveau intermédiaire

Ouvrez (ou clôturez) votre prochain concert avec cette œuvre intensément rythmique et mélodique en 5/4. Un derviche de lignes de bois donne le ton, suivi d'une puissante déclaration des cuivres qui se...

Dédiée à la légendaire éducatrice et chef d'orchestre Paula Crider, cette œuvre dramatique explore une variété d'émotions et de styles musicaux, honorant le cœur et l'âme de l'incroyable PC ! Le début...

Here's a fresh version of this Ellington classic done in a Latin style that really sizzles. Solid and creative writing for the entire ensemble.

Mark Taylor has created an effective new treatment of a great standard song. Alternating between a samba feel and swing, this chart also uses contrasting textures of small group playing and full ensem...

Mike Tomaro has penned a Latin style version of one of Jerome Kern's most often performed classics. Mike's creativity and total command of the idiom shines through in this superb chart.

The world mourns the loss of one of its most genuinely kind souls with the passing of Mister Rogers. Fellow Pittsburgh neighbor Mike Tomaro pays tribute to this most famous of musical themes in this l...

Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with Latin excitement.

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

Jerome Kern's classic ballad in an attractive setting for little big band arranged here as a cha-cha.

Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific cho...

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a L...

John La Barbera has taken his well-known version of Chick Corea's Spain and done a great job of adapting it for the small band format. Certainly an exciting offering for mature players in an arrangeme...

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra,...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

This familiar tune from the 1930s has become a favorite with jazzers over the years. Here's a wonderfully crafted arrangement in the six-horn format that starts out as a relaxed jazz samba, then moves...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...