Partitions moyen chez Hal Leonard : Niveau intermédiaire

This plaintive 19th century melody, popularized by the 60s folk movement in a simple and elegant a cappella setting makes a wonderful feature for treble or mixed choirs, especially in a warm acoustic...

This plaintive 19th century melody, popularized by the 60s folk movement in a simple and elegant a cappella setting makes a wonderful feature for treble or mixed choirs, especially in a warm acoustic...

Erich Katz's Quodlibet for SATB choir a cappella. This work incorperates words by William Shakespeare and Miguel de Cervantes. Shakespeare: 'This music mads me, let itsound no more!' Cervantes: 'Whe...

Sydney Hodkinson's The Effect Always Has/An Advantage Over The Cause for SATB choir a cappella. From 'Maxims And Minims' - thirteen variations on poems by Maurice English.

Sydney Hodkinson's The Nearer To Consciousness/The Nearer To Death for SATB choir a cappella. From 'Maxims And Minims' - thirteen variations on poems by Maurice English.

Sydney Hodkinson's Never Trust A Poet Who Does Not Talk To Himself/Nor A Politician Who Does for SATB choir a cappella. From 'Maxims And Minims' - thirteen variations on poems by Maurice English.

This collection is a fantastic resource for introducing the music of the Renaissance to the male ensemble. The five well-known and representative works are: Adoramus Te (Giovanni Pierluigi da Palestri...

This collection is a fantastic resource for introducing the music of the Renaissance to the male ensemble. The five well-known and representative works are: Adoramus Te (Giovanni Pierluigi da Palestri...

Moses Hogan's arrangement of a traditional spiritual song, commissioned by The Phi Mu Alpha Sinfonia Fraternity Of America, for men's voices a cappella.

Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion...

Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion...

This bluesy classic from the '50s has been recorded by such artists as Ray Charles and Count Basie. Mark Taylor's effective chart for young bands swings hard from beginning to end. Whether you play it...

Mark has kept the original flavor of this Clifford Brown blues classic in this version for young players. The style is a moderate blues and it starts out with a trumpet/tenor duet before adding the re...

Absolutely dripping with the blues, here is a sultry version of the Ellington classic that features trumpet and trombone as they cry out the plaintive melody. Written in a call and response style, thi...

One of the many distinctive hits from the Beatles, Can't Buy Me Love is arranged here in a medium up-tempo shuffle groove and provides a marvelous swing setting for the entire ensemble.

Recorded by the J. Geils Band in 1982, this familiar rock classic features a driving shuffle style and plenty of rhythmic energy. Also included is solo space for alto sax and trumpet.

Recorded originally by the Cannonball Adderley Quintet, here's a classic jazz tune that works great for young ensembles. Arranged here in an attractive shuffle funk style, there's a nice balance betwe...

Recorded originally by the Cannonball Adderley Quintet, here's a classic jazz tune that works great for young ensembles. Arranged here in an attractive shuffle funk style, there's a nice balance betwe...

Made famous by the Woody Herman Thundering Herd, here is a marvelous adaptation for younger players by Paul Murtha. Following the opening chorus for piano, the trumpets state the main theme with answe...

Made famous by the Woody Herman Thundering Herd, here is a marvelous adaptation for younger players by Paul Murtha. Following the opening chorus for piano, the trumpets state the main theme with answe...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

Mettez en valeur votre section de saxophone avec ce grand thème de blues en fa mineur. Des mélodies qui swinguent, enveloppées dans des cuivres et des rythmes endiablés, ainsi que des cuivres à l'unis...

Mettez en valeur votre section de saxophone avec ce grand thème de blues en fa mineur. Des mélodies qui swinguent, enveloppées dans des cuivres et des rythmes endiablés, ainsi que des cuivres à l'unis...

Enrichissez vos musiciens de jazz avec la musique d'Horace Silver grâce à cet arrangement de l'un de ses airs de blues les plus émouvants. Le sax ténor 1 et la trompette 2 jouent le premier énoncé de...