Partitions moyen chez Edition Kunzelmann

Daniel Schnyder wrote the Carmen Suite as an opera paraphrase for a dance performance featuring the flamenco dancer Nina Corti and the Carmina Quartet. Later, I adapted the work for piano trio. This m...

De sa Suite op. 43 pour violon et piano, Vieuxtemps a lui-même orchestré les deux mouvements Aria et Gavotte et les a également joués régulièrement lors de ses concerts. L'accompagnement peut être jou...

Momenti fugaci a été écrit pour Maria Miteva et Luc Hemmer, membres de l'ensemble luxembourgeois Ars Nova Lux. Le calme et mélodieux Dolcemente sognante se situe entre deux mouvements extérieurs virtu...

The concerto was written for 'Corno pastoriccio' and may be played on a horn, an alphorn or on whatever natural instrument that may sound the notes d, g, b, d (concert pitch). The orchestral version w...

W. A. Mozart‘s Clarinet Concerto in A major, completed in 1791, undoubtedly remains to this day one of the most outstanding works of the late Viennese classical period. Thanks to an anonymous editor,...

The Variations on a Theme from Bellini's 'Norma' were written by Vieuxtemps as a youth for his 1834 concert tour. They offer a thrilling concert piece and can be used in the training of young violinis...

Vieuxtemps' 'Bohémienne' was published in 1864 as No. 3 of the 'Three Album Pieces' Op. 40. At that time, however, he had already revised his work and made a version with orchestral accompaniment from...

Henri Vieuxtemps wrote in 1880 'In any case, I' ve already written my funeral march, it exists!' Whether this refers to the sketches preserved in the Royal Library of Belgium entitled Marche funèbre....

The restrictions during the COVID-19 pandemic, especially the distance rules and the resulting difficulties with large ensembles, led to the idea of creating versions of arias for soprano and string o...

Les Airs variés n° 6 et 7 du jeune Henri Vieuxtemps, publiés ici pour la première fois, marquent une étape importante dans le développement de ce compositeur très doué. Avec ces œuvres, il a réussi à...

Ritus was originally written as an opener for the African Suite by Abdullah Ibrahim. It creates a fusion between different shades of African and European musical traditions and paints a colorful, expa...

The work, although also known in the chamber orchestra version by Max Reger, was originally composed for string quartet (1887). The preservation of the idealized timbres by the composer, in this case...

Les Airs variés n° 6 et 7 du jeune Henri Vieuxtemps, publiés ici pour la première fois, marquent une étape importante dans le développement de ce compositeur très doué. Avec ces œuvres, il a réussi à...

The Variations on a Theme from Bellini's 'Norma' were written by Vieuxtemps as a youth for his 1834 concert tour. They offer a thrilling concert piece and can be used in the training of young violinis...

Vieuxtemps' 'Bohémienne' was published in 1864 as No. 3 of the 'Three Album Pieces' Op. 40. At that time, however, he had already revised his work and made a version with orchestral accompaniment from...

In the same way that Louis Armstrong influenced jazz, Scott Joplin was famous for his ragtimes. He was the first well-known African-American composer between classical and popular music, brought toget...

Le Bourgeois gentilhomme is a ballet comedy born of the already frequent and successful collaborations between Molière and Lully at the court of Louis XIV. First performed in 1670, the work consists o...

With the Swan, Camille Saint-Saëns created perhaps the greatest „cello hit“ ever. The arrangement of this beautiful piece presented here can be performed with cello sextet as well as with a large cell...