Partitions moyen chez Belwin Music : Niveau intermédiaire

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

Un morceau très excitant, alternant entre un boogaloo très funky et le swing. Le tempo est d'environ 144 BPM et la tessiture de la trompette solo va jusqu'au la écrit au-dessus de la portée (ré aigu e...

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

Un morceau très excitant, alternant entre un boogaloo très funky et le swing. Le tempo est d'environ 144 BPM et la tessiture de la trompette solo va jusqu'au la écrit au-dessus de la portée (ré aigu e...

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

An original with a funky groove with some powerful dynamic contrasts throughout. Played at 142 BPM, a suggested tenor 1 solo is provided and followed by an interlude that builds right into the finale....

Un original au groove funky avec de puissants contrastes dynamiques tout au long du morceau. Joué à 142 BPM, un solo de ténor 1 est suggéré et suivi d'un interlude qui se développe jusqu'au final. La...

An original with a funky groove with some powerful dynamic contrasts throughout. Played at 142 BPM, a suggested tenor 1 solo is provided and followed by an interlude that builds right into the finale....

Want to know what's hip? Well, this three-tune medley is it! Give your students and audiences a taste of some real 'funky' music and don't be surprised if your audience gets up to dance. Including 'Wh...

Want to know what's hip? Well, this three-tune medley is it! Give your students and audiences a taste of some real 'funky' music and don't be surprised if your audience gets up to dance. Including 'Wh...

Want to know what's hip? Well, this three-tune medley is it! Give your students and audiences a taste of some real 'funky' music and don't be surprised if your audience gets up to dance. Including 'Wh...

Varied styles but all jazz, this Lopez concert band medley encompasses the jazz idiom through the ages. Including 'sing, Sing, Sing,' 'It Don't Mean a Thing If It Ain't Got that Swing,' 'Las Suerte de...

Gershwin's' tune especially for band is from the1927 musical of the same name. Everyone's familiar with the traditional melody, stated first, but Jack Bullock has included the seldom heard verse which...

A Tribute to Dave Brubeck arrangé par Patrick Roszell est un tour de force rythmique pour votre orchestre de concert qui laissera votre public sans voix. Avec deux des morceaux les plus connus du Dave...

A Tribute to Dave Brubeck arrangé par Patrick Roszell est un tour de force rythmique pour votre orchestre de concert qui laissera votre public sans voix. Avec deux des morceaux les plus connus du Dave...

A Tribute to Dave Brubeck arranged by Patrick Roszell is a rhythmic tour de force for your concert band that will leave your audience breathless. Featuring two of the Dave Brubeck Quartet's best-known...

A Tribute to Dave Brubeck arrangé par Patrick Roszell est un tour de force rythmique pour votre orchestre de concert qui laissera votre public sans voix. Avec deux des morceaux les plus connus du Dave...

In the words of the great Duke Ellington, 'It don't mean a thing if it ain't got that swing.' That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medle...

Imagine the basic form of Gershwin's 'I Got Rhythm' with chord changes and style as if James Taylor was accompanying old-time fiddlers, and you have this cool, original jazz tune. Both written solos a...

Imagine the basic form of Gershwin's 'I Got Rhythm' with chord changes and style as if James Taylor was accompanying old-time fiddlers, and you have this cool, original jazz tune. Both written solos a...

Imagine the basic form of Gershwin's 'I Got Rhythm' with chord changes and style as if James Taylor was accompanying old-time fiddlers, and you have this cool, original jazz tune. Both written solos a...

The composer is legendary, the arranger is an institution, and the tune is known the world over. An exercise in perfection... and the final ingredient will appear when you program this magnificent wor...

Like the beat, beat, of the tom-tom, when the jungle shadows fall... So begins this superlative Cole Porter standard. Years pass and each generation happily rediscovers this man's genius. Calvin Custe...

Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, spac...

A great jazz standard that really hits the mark. The chart is played around 124 BPM with lead trumpet range to written B above the staff, and solo space for tenor 1 with a sample solo provided. The de...