Partitions marches

Built on the pentatonic scale, this exuberant march with an oriental flair will delight players and audiences alike. A combined 1st/2nd Violin part (16 copies in each set) promotes greater confidence...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...

This arrangement of the Franz von Suppé classic is presented in cut time for players who have not been exposed to 6/8 time or find it difficult to manage. All the integrity of the original has been re...

Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1s...

An excellent piece to introduce young string students to the regal "Maestoso" style.

This moderately-paced original in G has singable melody lines, well-articulated accompaniment figures, and interesting material for all. Some simple counterpoint adds depth and dimension, and the opti...

Designed as a first concert piece for beginners, this enduring favorite (released in 1968) limits rhythms to nothing shorter than a quarter note, includes no slurs, provides ample bowing reminders, an...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...

This arrangement of the Franz von Suppé classic is presented in cut time for players who have not been exposed to 6/8 time or find it difficult to manage. All the integrity of the original has been re...

Ce détournement virtuose de la 'Marche du Défilé bavarois', qui n'est pas seulement connue des visiteurs de l'Oktoberfest, est une plaisanterie avant-gardiste pour toute la famille des clarinettes. Un...

There's nothing quite like a good rousing march, and we have compiled ten of the best here - great tunes in user-friendly arrangements.

Arranged by: Andrew Moore. King Cotton, Semper fidelis, Stars and stripes forever, The gladiator, The high school cadets, The Manhattan beach, The thunderer, The Washington Post.

Il s'agit, bien sûr, de l'une des marches les plus célèbres de Sousa et, comme c'est le cas pour la plupart des marches, elle convient parfaitement à un ensemble tuba-euphonium. Les quatre parties peu...

The title refers to the principal teaching point and the clever hook on which the march is built: the accidental. Everything is approached logically yet cleverly, making the teaching of new fingerings...

Le titre fait référence au principal point d'enseignement et à l'astucieuse accroche sur laquelle la marche est construite : l'accident. Tout est abordé de manière logique et intelligente, rendant l'a...

Sandra Lentner's arrangement abruptly changes from the waltz-like Toyland to the military-style March of the Toys and its six-eight rhythms. There is opportunity for better cellists to shine, and movi...

Accessible aux ensembles d'étudiants et approprié pour toute occasion patriotique. Contenu : Bannière étoilée ; hymne national ; America the Beautiful ; hymne de la marine ; Spirit of '76 ; Armed Forc...

Three march vignettes for four bassoons, originally written for the Chicago Bassoon Quartet.