Partitions jazz pour combo

Toutes les partitions sont écrites à trois voix, avec une instrumentation flexible fournie par les trois voix dans chaque livre de vents. Les sections de solos sont fournies avec des changements, ains...

Toutes les partitions sont écrites à trois voix, avec une instrumentation flexible fournie par les trois voix dans chaque livre de vents. Les sections de solos sont fournies avec des changements, ains...

Toutes les partitions sont écrites à trois voix, avec une instrumentation flexible fournie par les trois voix dans chaque livre de vents. Les sections de solos sont fournies avec des changements, ains...

Toutes les partitions sont écrites à trois voix, avec une instrumentation flexible fournie par les trois voix dans chaque livre de vents. Les sections de solos sont fournies avec des changements, ains...

Die Grundidee des Projekts 'S(w)ingende Gemeinde' ist, altbekannte Kirchenlieder neu für Bläser und Band zu arrangieren. Bereits seit dem jahr 2006 wird es in Zusammenarbeit mit der Hochschule für Kir...

Un arrangement funk rock du classique de Freddie Hubbard pour 4 cors et la section rythmique. Solos ouverts pour toutes les parties.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

In this easy combo version of the Miles Davis modal classic, the melody can be performed as a feature for the bass player, or you can use the cues provided in parts 3 and 4 as well as the piano.

Basé sur l'arrangement à succès du standard rendu célèbre par John Coltrane, ce tableau combo présente un motif à 3/4 avec toutes les sections ayant une chance au refrain, et la section solo facile es...

Le nom de la chanson de jazz latin Campamento de Rumba fait référence au camp d’été annuel de jazz latin au Flynn Center à Burlington, dans le Vermont, où Davies et son groupe sont artistes en résiden...

Bring infectious Latin grooves and pure musical passion to the stage with "Ay Que Rico II," published by the renowned 3-2 Music Publishing! This spirited arrangement stands out with its dynamic horn s...