Partitions jazz pour chœur

From the Accent On Youth series. This is a bright, fun piece for high school or adult choir. Suitable for secular or sacred settings: it is not liturgical, but the message is a good one.

Middle school specialist Tom Shelton wrote the words and music to this work for use in celebrating the opening of a new church facility. Scored for treble voices with keyboard and handbells, the piece...

From the Accent On Youth Series. A melodic arrangement of Psalm 7 for 2-part chorus with piano and/or organ

Written for two-part treble voices, this setting of words by Lord Byron would work successfully for treble voices of all ages. Tom Shelton, a successful middle school teacher, understands quite well t...

For unison voices with keyboard and optional orff instruments, a real winner for children's voices!

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

Combining a number of medieval texts in both English and Latin, this work for treble voices is accompanied by piano or organ in a style true to the spirit of the texts.

Valerie Crescenz wrote this meaningful new work in response to the 9/11 tragedy

Scored for treble voices with piano and cello, this is a deeply meaningful work that is suitable for Mother's Day, baptism, or services of grief and remembrance, two soloists could also sing it.

This is a wonderful work for unison voices with limited range. Try it with a treble chorus of any age.

This prize-winning piece for unison voices with optional second part and piano is a marvelous work for teaching mixed meters.

Set to the familiar hymn tune, Ebenezer, Donna Butler gives us a well-crafted simple anthem for use during Lent, Palm/Passion Sunday, or general use.

This is an easy work for treble voices of any age scored with piano accompaniment. Optional percussion parts are to be improvised at the director's discretion (sounds great with claves, tambourine, an...

With both sacred and secular texts available to choose from, this treble work speaks of the joys of being alive with emphasis on the beauty of nature. The author, an unknown child in a Czechoslovakian...

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

This unison (opt. harmony) work for treble voices was written in response to the tragedy of September 11. Healing in nature, the composer states: 'I wanted a tuneful, patriotic, American sounding melo...

Canadian composer Mark Sirett has an exceptional compositional voice. Try this spirited work with your treble chorus.

The creative team of Green and Crescenz bring us another thought provoking work. Though originally in a SAB setting (HMC1885), this 2-part treble work once again calls our attention to the 'forest as...

Valerie Showers Crescenz is a public school music teacher that understands the young voice. Once again she provide us with a provocative text perfectly matched to an expressive melody.

Composer Tom Shelton, a middle school choral teacher, truly understands the young voice. Try this two-part treble work that expresses the fact that 'music is the language all people share. '

This work was adapted by Charles Gounod from J. S. Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier' written in 1859, and it has been a favorite of singers and audiences since then. I...

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

Hear My Words, published by Hinshaw Music, is a sensitive and melodious setting of Psalm 5:1–4. This moving piece captivates listeners and singers alike with its warm melodic lines and profound emotio...

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Originally set for SATB voices (HMC1696), Jim Williams now makes the piece available in a lovely two-part mixed voicing, suitable for stewardship Sunday.