Partitions jazz contemporain

From jazz saxophonist Eric Alexander's most recent album, 'BE COOL', Steve Briody's 'Footsteps' features a contemporary jazz Latin groove written at a moderate level to provide a welcome addition to y...

Bob Curnow brings you yet another epic Metheny/Mays masterpiece. Complete with beautiful melodies, evolving grooves, plenty of solo space, and the always-anticipated and exciting ensemble sections, th...

Neil Slater has created a marvelous composition. It can be heard on Lab '91, as recorded by the University of North Texas One O' Clock Lab Band. 'Values' opens with a stirring, slow theme and then mov...

New to Sierra Music, composer/arranger Jamey Simmons brings a great, new original, 'Greasin' the Skids', set to a New Orleans 2nd Line Feel (with momentary switches to a swing feel). Ranges and rhythm...

Here is a very clever and catchy original Latin composition from one of our newer composers, Jamey Simmons. Set in a couple of different feels, this chart is playable by most bands due to written out...

Ce tableau vient s'ajouter à une collection croissante de tableaux de Radiohead qui ont fourni aux orchestres du monde entier des choix merveilleux et uniques pour leurs programmes d'orchestre de jazz...

This is a TERRIFIC tune, full of the happy, spirited, hip melodic and harmonic stuff that we've all come to love about Pat's music. A minor blues solo section is surrounded with a terrific mix of odd-...

If you had the chance to put into print a great jazz standard with over 370,000 views on YouTube, would you? Well, we did it!This great arrangement by Eric Miyashiro of Mike Mainieri's "Trains" is a c...

This is one of those charts that can be played by any reasonably accomplished big band (including high school players). It is Mulligan's own chart on his famous tune. The only recorded version of it,...

Astor Piazzolla's music lends itself well to the big band idiom, and Fred Sturm is a masterful arranger for big band. As recorded on Libertango ! Hommage to Astor Piazzolla (HR Big Band), this chart i...

As the title suggests, this exciting modal jazz chart is written predominantly in 3/4 with occasional shifts to 4/4. Although these changes may first seem a bit scary, they occur very naturally and yo...