Partitions difficile chez Mitropa Music

Aurora was the Greek goddess of dawn. Through the ages dawn has had a significant spiritual meaning - daylight conquering the ominous darkness of the night. This exciting work by Thomas Doss uses musi...

Aurora: die griechische Göttin der Morgenröte. Durch die Jahrhunderte wurde der Morgenröte eine große spirituelle Bedeutung beigemessen, als ?berbringerin des Lichts nach der unheilvollen Dunkelheit d...

Solaris beschreibt Szenen vor einer Sonnenfinsternis: Zu Beginn spiegelt sich beispielsweise die Sonne im Meer und Walgesänge vermischen sich mit dem Klang des Windes und der Wellen. Bei vielen Völker...

Solaris beschreibt Szenen vor einer Sonnenfinsternis: Zu Beginn spiegelt sich beispielsweise die Sonne im Meer und Walgesänge vermischen sich mit dem Klang des Windes und der Wellen. Bei vielen Völker...

As with the first symphony, the second symphony is not programmatic as such, but also takes its inspiration from the confrontation of man with his role in nature. Dedicated to the 2011 National Garden...

Dort ist Gjallarhorn - das 'schallende Horn' - das Blashorn von Heimdall, dem strahlenden Schutzgott und Wächter der Regenbogenbrücke Bifröst, welche Reisende von Midgard, der Welt, in der die Mensche...

Stone Age, Middle Age and New Age are the three distinct sections of this single movement work at the highest level. Whilst Stone Age has a menacing and ancient atmosphere, an old German song can be m...

The Pilgrim Concerto, written for the 2012 World Music Contest Kerkrade, is a highly demanding yet rewarding work for alto saxophone and wind band. It is one of a series of spiritual works by the comp...

The Swiss composer Franco Cesarini has waited a long time to write his first symphony and after years of considering and drafting, this Archangels Symphony, Symphony nr. 1 is a vast composition consis...

Solaris beschreibt Szenen vor einer Sonnenfinsternis: Zu Beginn spiegelt sich beispielsweise die Sonne im Meer und Walgesänge vermischen sich mit dem Klang des Windes und der Wellen. Bei vielen Völker...

Solaris beschreibt Szenen vor einer Sonnenfinsternis: Zu Beginn spiegelt sich beispielsweise die Sonne im Meer und Walgesänge vermischen sich mit dem Klang des Windes und der Wellen. Bei vielen Völker...

Inspired by the operas of Bellini, Saverio Mercadante created this richly contrasting overture from lyrical and dramatic moments in his own works. This arrangement offers modern concert bands access t...

This overture, called Sinfonia, is without doubt one of the best original works for concert band to emerge from the 19th century. It is characterised by its fluid spontaneity as well as its rich textu...

Festival Bells is a fast-paced and demanding opening work. The uplifting mood of the piece describes the anticipation of a festival in Austria. Within the middle section, the Upper Austrian anthem is...

Festival Bells is a fast-paced and demanding opening work. The uplifting mood of the piece describes the anticipation of a festival in Austria. Within the middle section, the Upper Austrian anthem is...

The work presented here, Laudate for solo soprano, mixed choir and wind band, draws inspiration from The Canticle of the Sun (Il Cantico di Frate Sole), written by Francis of Assisi shortly before his...

The work presented here, Laudate for solo soprano, mixed choir and wind band, draws inspiration from The Canticle of the Sun (Il Cantico di Frate Sole), written by Francis of Assisi shortly before his...

Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from 'the genius of Busseto. ' Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, wh...

Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from 'the genius of Busseto. ' Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, wh...

Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from 'the genius of Busseto. ' Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, wh...

In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French 'Grand Opéra' as he cons...

In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French 'Grand Opéra' as he cons...