Partitions difficile chez Baton Music

Donna Diana' is the only opera of von Reznicek that is still to be performed sometimes. Its style is charming (viennese) and diverting with some spanish coloring.The overture, unique in its freshness...

Donna Diana est le seul opéra de von Reznicek qui soit encore joué de temps à autre. L'ouverture, unique par sa fraîcheur et sa gaieté ensoleillée, figure parmi les pièces les plus jouées dans les pro...

Donna Diana' is the only opera of von Reznicek that is still to be performed sometimes. Its style is charming (viennese) and diverting with some spanish coloring.The overture, unique in its freshness...

Donna Diana est le seul opéra de von Reznicek qui soit encore joué de temps à autre. L'ouverture, unique par sa fraîcheur et sa gaieté ensoleillée, figure parmi les pièces les plus jouées dans les pro...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

On peut regretter que Khatchaturian ait tardé à faire connaître cette musique à un public plus large : c'est l'une de ses meilleures partitions légères et il n'y a aucune raison pour qu'elle n'ait pas...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

On peut regretter que Khatchaturian ait tardé à faire connaître cette musique à un plus large public : c'est l'une de ses meilleures partitions légères et il n'y a aucune raison pour qu'elle n'ait pas...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

On peut regretter que Khatchaturian ait tardé à faire connaître cette musique à un plus large public : c'est l'une de ses meilleures partitions légères et il n'y a aucune raison pour qu'elle n'ait pas...

We may regret Khatchaturian's delay in bringing this music before a wider audience: it is one of the best of his lighter scores and there is no reason why it should not have enjoyed the popularity of...

On peut regretter que Khatchaturian ait tardé à faire connaître cette musique à un plus large public : c'est l'une de ses meilleures partitions légères et il n'y a aucune raison pour qu'elle n'ait pas...

Alexander Borodin (1833-1887) started working on his only opera Prince Igor in 1869, but at his death 18 years later it remained unfinished.The splendid overture seems to have been completed by Glazun...

Alexandre Borodine (1833-1887) a commencé à travailler sur son unique opéra, le Prince Igor, en 1869, mais à sa mort, 18 ans plus tard, l'œuvre restait inachevée. La splendide ouverture semble avoir é...

Alexander Borodin (1833-1887) started working on his only opera Prince Igor in 1869, but at his death 18 years later it remained unfinished.The splendid overture seems to have been completed by Glazun...

Alexandre Borodine (1833-1887) a commencé à travailler sur son unique opéra, le Prince Igor, en 1869, mais à sa mort, 18 ans plus tard, l'œuvre restait inachevée. La splendide ouverture semble avoir é...

Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...

Nielsen's Rhapsodic Overture (1927) represents the romantic musical element in orchestral composition. The sub-title A fantasy journey to FaroÙr belies the imaginative character of the piece, which is...

In 1882 Richard Strauss wrote his 'Horn Concerto No. 1' in E-flat major, Op. 11. The horn concerto has become the most frequently performed horn concerto written in the 19th Century. At the age of 18...

En 1882, Richard Strauss a écrit son "Concerto pour cor n° 1" en mi bémol majeur, opus 11. Ce concerto pour cor est devenu le plus joué des concertos pour cor écrits au XIXe siècle. À l'âge de 18 ans,...

In 1882 Richard Strauss wrote his 'Horn Concerto No. 1' in E-flat major, Op. 11. The horn concerto has become the most frequently performed horn concerto written in the 19th Century. At the age of 18...

En 1882, Richard Strauss a écrit son "Concerto pour cor n° 1" en mi bémol majeur, opus 11. Ce concerto pour cor est devenu le plus joué des concertos pour cor écrits au XIXe siècle. À l'âge de 18 ans,...

Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...

La Symphonie n° 2, connue sous le nom de "Die Auferstehung" ("La résurrection"), a été écrite entre 1888 et 1894 et créée en 1895. Elle est devenue l'une des œuvres les plus populaires et les plus réu...

Symphony No. 2, known as "Die Auferstehung" ("The Resurrection"), was written between 1888 and 1894, and first performed in 1895 and became one of Mahler's most popular and successful works during his...