Partitions de Musique sacrée et d'église à télécharger (PDF)

Part of a larger work, Requiem for Peace, this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between wa...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

Samuel Barber created this arrangement while he was conducting the Madrigal Choir at the Curtis Institute. His editorial markings and interpretations have been meticulously recreated for this immensel...

Lux Aeterna by Ivo Antognini for unaccompanied SATB choir.

This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian s...

This haunting, introspective plea for relief begins as a near-whisper and rises to an intense clangor. Through the mantra-like repetition and gradual transformation of the words from this timeless Psa...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Commissioned by a consortium of choruses including Chanticleer, The Dale Warland Singers, and The Phoenix Bach Choir, this beautiful a cappella setting of Psalm 86 is a delicate powerhouse. In the tex...

Written as a companion piece to the 40 voice Renaissance motet by Thomas Tallis Spem in Alium, this music is spatial and conceived with reverberant acoustics in mind. Each of the 3 choirs is made up o...

'My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended ha...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Following Jackson's settings of the seven 'O' antiphons (Seven Advent Antiphons), this is a setting of the text recognised as the eighth 'O' antiphon and performed as such in many Christian traditions...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

Victimae paschali laudes is an atmospheric arrangement of the plainsong melody for this Latin text for Easter Sunday. Lawson employs interjections of 'alleluia' within the main text as an expression o...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The two choirs portray the conflicting emotions expressed in the poem demonstrated by the...

This contemplative setting of Psalm 23 presents the well-loved 'The Lord is my Shepherd' text within a four-part, homophonic texture. Hymn-like and lyrical, this unaccompanied composition is illustrat...

This is a warm and contemplative setting of the medieval Latin hymn, suitable for communion services or for Lent, Passiontide, or Corpus Christi. Built around harmonic sequences and an appealing openi...

If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the piece, before finally reso...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

Evocative and moving polyphony paired with a text meditating man's relationship with God.

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem; you'll find imitative passages, melodic and rhythmic motifs, sections requiring preci...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...