Partitions de Musique romantique classique pour Orchestre

Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...

Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...

Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of wh...

Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of wh...

American composer Edward MacDowell (1860-1908) originally wrote his orchestral Suite No. 1, Op. 42 in 1891, although the original version only included four movements. In 1893, MacDowell added the 3rd...

American composer Edward MacDowell (1860-1908) originally wrote his orchestral Suite No. 1, Op. 42 in 1891, although the original version only included four movements. In 1893, MacDowell added the 3rd...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a sc...

Felix Mendelssohn (1809-1847) wrote his Violin Concerto in E minor over a six-year period from 1838 to 1844 for his childhood friend, the violinist Ferdinand David, who contributed the cadenza in the...

Le Nozze Di Figaro (The Marriage of Figaro), K. 492, is based on La folle journee ou le Mariage de Figaro (1784), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled...

Le Nozze Di Figaro (The Marriage of Figaro), K. 492, is based on La folle journee ou le Mariage de Figaro (1784), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled...

Cette ouverture, écrite deux jours avant la première de l'opéra féerique en 1791, est l'une des plus connues de la littérature classique. Instrumentation : 2.2.2.2 : 2.2.3.0 : Timb : Str (4-4-3-3-3 da...

Cette ouverture, écrite deux jours avant la première de l'opéra féerique en 1791, est l'une des plus connues de la littérature classique. Instrumentation : 2.2.2.2 : 2.2.3.0 : Timb : Str (4-4-3-3-3 da...

Wolfgang Amadeus Mozart (1756-1791) a écrit son CONCERTO POUR TROIS PIANOS ET ORCHESTRE en fa, no 7, K. 242 en février 1776. Bien qu'il ait été composé à l'origine pour trois pianos solistes, Mozart a...

Wolfgang Amadeus Mozart (1756-1791) a écrit son CONCERTO POUR TROIS PIANOS ET ORCHESTRE en fa, no 7, K. 242 en février 1776. Bien qu'il ait été composé à l'origine pour trois pianos solistes, Mozart a...

En 1775, Wolfgang Amadeus Mozart (1756-1791) écrit ses cinq concertos pour violon à l'intention de Gaetano Brunetti, violoniste à la cour de Salzbourg où il occupe le poste de Konzertmeister. Dans une...

En 1775, Wolfgang Amadeus Mozart (1756-1791) écrit ses cinq concertos pour violon à l'intention de Gaetano Brunetti, violoniste à la cour de Salzbourg où il occupe le poste de Konzertmeister. Dans une...

Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...

Sinfonia Concertante, K. 364 (320d) was written by W.A. Mozart (1756-1791) in 1779 while he was on a tour of Europe that included Mannheim and Paris. A sort of hybrid between a symphony and a concerto...

En 1778, alors qu'il se trouvait à Paris, Wolfgang Amadeus Mozart (1756-1791) écrivit à son père qu'il avait écrit une Sinfonia Concertante pour flûte soli, hautbois, cor et basson avec accompagnement...