Partitions de Musique de Pâques pour Chœur mixte : Un répertoire varié

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing metres enable an authentic presentation of the plainsong styl...

Victimae paschali laudes is an atmospheric arrangement of the plainsong melody for this Latin text for Easter Sunday. Lawson employs interjections of 'alleluia' within the main text as an expression o...

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative e...

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple bu...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his own music and provided...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Dutch / arr. C. Wood

Dutch / arr. C. Wood

The mood of As One Who Has Slept, taken from the great liturgy of St. Basil on Easter Saturday morning, is full of awe, silence and expectation. The atmosphere is deeply solemn as we stand before the...

Un motet pascal en l’honneur de Marie

Un motet pascal en l’honneur de Marie

Dimitri Stepanowitsch Bortnianski (1751-1825) semble avoir composé la majorité de ses oeuvres liturgiques et la plupart des concertos sacrés dans les années 1780 et 1790, soit avant sa nomination au p...

Dimitri Stepanowitsch Bortnianski (1751-1825) semble avoir composé la majorité de ses oeuvres liturgiques et la plupart des concertos sacrés dans les années 1780 et 1790, soit avant sa nomination au p...

Dimitri Stepanowitsch Bortnianski (1751-1825) semble avoir composé la majorité de ses oeuvres liturgiques et la plupart des concertos sacrés dans les années 1780 et 1790, soit avant sa nomination au p...

Dimitri Stepanowitsch Bortnianski (1751-1825) semble avoir composé la majorité de ses oeuvres liturgiques et la plupart des concertos sacrés dans les années 1780 et 1790, soit avant sa nomination au p...

Dimitri Stepanowitsch Bortnianski (1751-1825) semble avoir composé la majorité de ses oeuvres liturgiques et la plupart des concertos sacrés dans les années 1780 et 1790, soit avant sa nomination au p...

O sing unto the Lord a new song! – With "Cantate Domino", the renowned Carus-Verlag presents a powerful and festive choral work that brings brilliance to any performance. Set for a six-part mixed choi...