Partitions de Jazz chez Ludwig Music Publishing Company

Important Avenues for Today's Jazz Drummer by Sperie Karas deals with the bossa nova, the samba, the 4/4 Afro-Cuban Rhythm, as well as the hi-hat, ride rhythm exercises, the shuffle, 5/4 rhythm, and b...

This exciting orchestral medley presents great American tunes of George Gershwin and Stephen Foster in an original setting. Creative harmonies are punctuated by a driving drum set and jazzy rhythms, w...

This diverse and unique collection of ragtime selections passes the melodic interest around to all players. All players will enjoy the light-hearted syncopation, wide variety of keys, and challenging...

Here's a fun collection for this year's holidays! Eleven holiday favorites are given a little twist and come out as We Wish You a Merry Tango; The Rest of the Gentlemen; The Halls Bedecked; Cool King...

Here's a fun collection for this year's holidays! Eleven holiday favorites are given a little twist and come out as We Wish You a Merry Tango; The Rest of the Gentlemen; The Halls Bedecked; Cool King...

« Top Brass » trouve ses racines dans le jazz. L'œuvre se compose de trois mouvements et est écrite pour quatre trompettes, quatre cors, deux trombones, un trombone basse et un tuba. Elle a été créée...

« Top Brass » trouve ses racines dans le jazz. L'œuvre se compose de trois mouvements et est écrite pour quatre trompettes, quatre cors, deux trombones, un trombone basse et un tuba. Elle a été créée...

This serene, jazz influenced piece is for four-mallet vibraphone. Pedaling is marked in the music.

Luis de Narváez (ca. 1500 - ca. 1550) était un compositeur et interprète de vihuela du XVIe siècle, également remarquable pour avoir été le premier compositeur de vihuela à adapter le style italien co...

Luis de Narváez (ca. 1500 - ca. 1550) était un compositeur et interprète de vihuela du XVIe siècle, également remarquable pour avoir été le premier compositeur de vihuela à adapter le style italien co...

Luis de Narváez (ca. 1500 - ca. 1550) était un compositeur et interprète de vihuela du XVIe siècle, également remarquable pour avoir été le premier compositeur de vihuela à adapter le style italien co...

Ces cinq morceaux pour piano – un blues, deux rags, une valse jazz et une petite pièce d’inspiration latino-américaine – offrent une grande diversité au sein du répertoire jazz. La musique allie non s...

This is all about the drummers! Your percussion section will love this feature piece for its strong snare drum line and spirited crash cymbals. Add an easily accessible melody line for the winds and b...

The only solo Piano pieces for concert performance which Gershwin wrote were five Piano Preludes which he himself premiered in December of 1926 in New York City. Of the original five, three have remai...

A familiar style, accompanied by syncopated rhythms and contemporary harmonies, make this a favorite with young musicians. Chromatics allow for the expansion of student ranges while remaining conserva...

Jazz is a uniquely American art form, and this is the perfect vehicle for introducing it to your young band. With few technical problems, this work will allow them to swing like the pros.

Dance, Ballerina, Dance a été écrit par Nat King Cole et enregistré par l'auteur et Frank Sinatra. Ira Hearshen a conçu le troisième mouvement de sa suite Aragon dans le style de cet air bien-aimé.

Jazz-rock harmonies and melodic lines will encourage your students to practice more, making Quincy Hilliard's Throwdown a sure-fire ticket to success for the youngsters. Just enough syncopation to mak...

Jazz-rock harmonies and melodic lines will encourage your students to practice more, making Quincy Hilliard's Throwdown a sure-fire ticket to success for the youngsters. Just enough syncopation to mak...

The only solo Piano pieces for concert performance which Gershwin wrote were five Piano Preludes which he himself premiered in December of 1926 in New York City. Of the original five, three have remai...

Jazz is a uniquely American art form, and this is the perfect vehicle for introducing it to your young band. With few technical problems, this work will allow them to swing like the pros.

Syncopated rhythms, fat chords, trombone glissandi, and a compelling drive make this an exciting work for bands. It can be played with as few as four percussionists or you can assign a player to each...

Back Home Again in Indiana by James F. Hanley has become a jazz standard over the years and is the perfect vehicle for your band's vocal soloist. It may be played without the vocalist if you wish, wit...